Author: Tarek J

Post by Tarek J

So, as with my films of the decade, here are according to my not so humble opinion, the best shows of the decade. Since I can only limit it to 20, it’s likely that a lot of your favorites aren’t on here. It’s also important to note that I am nowhere near as well versed in TV as I am in cinema, so maybe I’m not even the right guy for the job. Finally, some of these are still running, and they’ve been amazing so far, but if they ruin themselves near the end (ahem GOT ahem) I might have to publish a retraction. Oh, and before you throw a fit, I haven’t watched Bojack Horseman or Mr. Robot, so they’re not on here due to ignorance note preference. So without further ado, here they are:

20) Chernobyl
19) Watchmen
18) Black Mirror
17) Atlanta
16) Louie
15) High Maintenance
14) The Crown
13) Curb Your Enthusiasm
12) Mindhunter
11) True Detective

10) Girls
There may be certain shows that are more deserving of this slot than Girls, but in writing this article I wanted to keep in mind the shows that weren’t just great but also defined the decade for me, Girls introduced us to the kind of female led storytelling that brought us a new voice in the form of Lena Dunham (let’s keep her annoying public persona out of this), the creator and star of this little gem. Filled with moments both hilarious and heartbreaking, the show wasn’t afraid to explore some darker edges of relationships, and most importantly gave us unpolished insights into the lives of millennial women, warts and all. Ad to that the bragging rights of discovering and launching Adam Driver’s career, and ending the show with some of the most emotionally satisfying final episodes, and you got yourself a winner. Let’s just hope this isn’t a fluke in Dunham’s career, and just the first of many greats.

9) Ramy
With just one season under its belt, Ramy already made its way into TV pantheon status for me. It’s smartly written, wonderfully performed, and most importantly it introduced the world into the life of a modern Muslim trying to make it in a western world without whitewashing or hiding any of our cultural quirks and flaws. The show depicted its characters as real humans, full of all the complexities that came with it, while hilariously pointing out all the extremities we deal with in our families (conspiracy theories, male chauvinism, hypocritical religiousness,etc). The first season of Ramy was an almost perfect 10 episodes of comedy drama and character building, and I can’t wait for season 2.

8) Game of Thrones
A few years back, and this might have landed in the top three. It’s first 4 seasons were utter perfection, and after a slight drop in season 5, it started to gather itself up for an excellent if flawed season 6. Seasons 7 and 8, however were a different story and are the sole reason this show was pushed down so low. Looking back, however, no show defined the decade and collective experience of an international audience as much as Game of Thrones. Marked with the impossible task of creating an adult fantasy genre, risking alienating most of the audience, it ended up being the most successful show in HBO’s amazing history. This all comes down to excellent source material, incredibly deft casting, unprecedented set design and VFX for a show, and creating year after year of heart stopping memorable moments from Ned on the chopping block, the Red Wedding, the Red Viper, and of course The Battle of the Bastards.

Post by Tarek J

While preparing my obligatory year-end list for the best films of 2019, I figured it only relevant to reflect on the past decade as we entered 2020. In doing so, I decided to do a little extra work this year and give you guys a few lists leading up to my “best of 2019” , starting with the 15 best films of the decade 2010-2019. Before jumping in, let’s just state the obvious and say that this is an impossible task as every year brings us tons of great films, so take ten years and select this handful was way more stressful than I imagined:

15) Under the Skin
14) Roma
13) Parasite
12) Arrival
11) The Grand Budapest Hotel

10) Inception
Every decade or so comes a film that catches the audience off guard and breaks what they think is possible with cinema. In the 90’s, it was watching Trinity escape the agents in the opening of The Matrix that made us all realize we were in for something we’ve never seen before (and the rest of the film just got more incredible). In the 00’s, it was watching Sméagol have a conversation with his alter ego Gollum in The Lord of the Rings: The Two Towers. And now in the 10’s, it’s watching a zero-G fight happening in a rotating hallway in Christopher Nolan’s Inception that defined the shift in cinema. From the bombastic trailer (which launched a genre of horn blasting Bwaaam trailer soundtracks), to the incredibly complex plot, the vast visuals, and the notional core in the film, Inception became one of the most unforgettable movie-going experiences for all who watched it. Some can argue there are better films that deserve this slot, but none were as effective or influential as this.

9) Amour
Moving on from the gigantic Inception, my number 9 is the tiny and intimate masterpiece from Austrian auteur Michael Hanneke, Amour. A heartbreaking and harrowing tale of love under the worst circumstances, Amour was one of the few foreign films of the decade that crossed over to the mainstream due to nothing more than its cinematic perfection. Equally shocking and moving, it’s a landmark in foreign cinema and the best film in a filmmakers impressive career.

8) Moonlight
Another small film, made famous for being the actual Oscar winner in 2018 although La La Land had been mentioned by mistake first, Moonlight bring the introduction of an entirely new voice to cinema, Barry Jenkins, The film is beautiful, touching, cool, stylish and different than most other films out there, the cinematography is gorgeous, but it’s the raw and real emotions on display that elevate this film and makes it one of the very few Best Picture winners that actually deserved it.

Review written by Tarek J

Last Tuesday I was invited to the VOX Kuwait premier for the new Jumanji film, The Next Level. Not my typical cup of tea, but I remember being pleasantly surprised at the last film when I took my son to watch it a couple of years ago. So when I got the invite, I called my son up and told him to get ready, and he was ecstatic. That’s the real value of these films, they aren’t true cinema, but they are the kind of kid friendly adventure films that I used to watch in the 90’s. Not to say this is another nostalgia driven film, it’s it’s own modern tale but it reminds me of 90s films because of its spirit.

VOX blew it out the park this time. The red carpet was replaced with a shifting landscape inspired from the film (starting with walking on a draw bridge, to a sandy desert floor, to a snowy landscape (ok tiny foam balls but it looked the part). Once we got into the theater, we had a local drum circle give it their all drumming away and getting the audience involved, it was more exciting than expected.

If you’re a fan of the last Jumanji, you will be a fan of this one. It’s that simple. The Next Level finds new ways to play with its formula, most cleverly by switching which characters takes on once back in the game, which allows us to see a different sides of the cast. One of the criticism from the last film was that the in-game characters didn’t act like the humans they came from but just acted like themselves (Kevin Hart was just Kevin Hart in shorts). This time around they all play against type, with Dwayne Johnson playing an elderly demented Danny Devito, and Kevin Hart playing a slow soft talking sophisticated intellectual (see what I mean?).

In terms of censorship, it’s a family film so really nothing to worry about except the occasional kiss that’s cut, but the plot remains intact.

This is pure popcorn cinema. It’s funny, well directed, with some exciting action sequences and occasionally well executed gags. Again this isn’t anything to write home about, but with films like this you gotta judge on a curve and keep in mind what the movie is trying to do. Take your kids, take your nephews and nieces, or if you enjoy a good easy unironic time at the cinema, take yourselves and enjoy it. God knows we can use more fun in movies, and at the very least, Jumanji The Next Level delivers on that.

Review written by Tarek J

Last Tuesday I was invited to the premiere of Doctor Sleep by my favorite movie theater, Vox Kuwait at the Avenues Phase 4, and as usual for their premieres, the event was a pleasure for film geeks (full of thematic decor and even two little twin girl actresses which were adorable in their attempts to scare guests). After walking on a red carpet designed after the famous carpet from The Shining, we took our seats and the lights went down.

Regarding the elephant that’s always in the room, censorship, this film has been cut in a few places, but not in a way that makes it unwatchable. It doesn’t affect the plot and you’re aware of what’s going on, but some cuts do come at some moments where you’re really drawn into the film. But all the cuts were momentary, nothing like whole scenes removed. Anyway, onto the review.

You’ve got to have quite a pair to think you can pull of a sequel to The Shining. Not only is it a horror masterpiece, but it is perhaps one of the most obsessed over films in history (watch the documentary Room 237 for proof). Up until now, director Mike Flanagan has been a solid horror filmmaker with a fresh voice and a couple of strong entries under his belt, but he hasn’t attempted anything quite so ambitious as Doctor Sleep. Does it pay off? Well yes… and no.

To be fair, it’s near impossible to create a satisfying sequel to The Shining especially since Kubrick veered way off the Stephen King novel it was based on, creating instead an intimate horror film with a singular vision which benefits most from its ambiguity and its lack of a need for a sequel. So when adapting Doctor Sleep (King’s sequel to his Shining), Flanagan decided to take a route where he bridges the gap between King and Kubrick. The result feels like two interesting films in their own right mashed up messily. The script suffers a lot from it and it’s the script itself which is the weakest link in this film.

The storytelling and filmmaking, however, is where the film shines (ahem). Flanagan does an excellent job of building tension, creating mood, and allowing scenes to be paced calmly and correctly. He doesn’t rush you into “scares”, but rather allows you to get invested into the characters. This is most evident in the first 40 minutes or so where very little plot is divulged, and we are just getting to know our three main characters. These were some of my favorite scenes in the film because Flanagan directs them maturely and really allows us to connect to Danny Torrance’s struggle with his demons. I very much appreciated that the film did not rely on The Shining nostalgia or fan service to create excitement. In fact, the only time we are really given that kind of nostalgia is in the last 30 minutes of a 2.5 hour film, so by then you’ve already emotionally invested into this new story entirely.

Aside from the filmmaking, the performances stand out as well. Ewan McGregor is perfect in the title role, and Kyliegh Curran gives an Excellent child performance that is exciting and convincing. But really it’s Rebecca Ferguson as the antagonist who steals the film. I was worried from the trailers as her storyline looked cheesy, but she is somehow convincing and gives a very interesting performance of a character that is at once cold blooded but somehow understandable. I like her work in the Mission Impossible films, but now I’m a full on fan.

In the end, I felt Doctor Sleep was an entertaining film with some really strong sequences (the Astral Projection moment was visionary, and the Baseball boy sequence was extremely disturbing and effective), but it’s nods to the Shining only reveal how much stronger that film is. To me, this is a pretty weak Kubrick tribute, but a very strong Stephen King film adaptation. It’s different than most films coming out in cinemas these days, and some of it’s inventive filmmaking makes up for its flaws. I still recommend a watch to horror and film fans as it has an original voice and style to it that is a breath of fresh air amongst the hundred of cynical cash grabs posing as cinema today.

Review written by Tarek J

Movie studios have been purchasing and investing in properties over the past few years as their main currency: Marvel, DC, Disney, Star Wars… What property can we own and milk for years and years to come. But there’s one property no one has a monopoly on: Nostalgia. In this age of endless information, bad news, white nationalism, prejudice, and dabbing, people have had a need to relive the good old times. But when a film adaptation of IT was announced off the heels of the success of Stranger Things, I said “here we go again”. Surprisingly though, Andy Muschetti’s film turned out to be one of the most entertaining and well directed films of the year.

So when Vox Cinemas invited me to the premiere of IT Chapter Two, I didn’t hesitate. The event itself was quite fun, every seat had a gift bag with a poster, a funky pop Pennywise doll, and a few other little trinkets. For added effect, each seat had a red balloon tied to it. But the standout was an extremely dedicated actor dressed (with some impressive makeup) as the titular character. He would provide some fun jump scares to the guests as they walked into the theater (but thankfully disappeared when the actual film started). As a whole, it was a great experience from Vox and I hope they do this with every major release. Now let’s get to the film:

IT Chapter 2 picks up 27 years after part one, and after a disturbing opening sequence, we catch up with our characters all grown up, mostly successful, but separate from one another. However, after the resurgence of a familiar string of missing people back home, it becomes clear that they have to reunite and fulfill the pledge they made to each other at the end of the first film. And that’s as much as I’ll spoil in terms of the plot, because half the fun of the film is discovering it as it reveals itself.

It Chapter 2, like its predecessor, is one of the most entertaining films of the year. There was not a moment where I shifted in my seat or looked at my phone. The film is exciting, at times surprisingly hilarious, and sometimes pretty scary. The best thing about these films remains the characters and the performances. The casting of Chapter Two is impeccable. Probably the best casting I’ve seen where the adult actors look like their child counterparts. The characters themselves are fully developed and individual enough that they always keep the film entertaining. The performances by James McAvoy and Jesica Chastain are solid as always, but its clear the standout here is a hilarious but ultimately moving performance by Bill Hader (Barry fans rejoice!). The film as a whole doesn’t take itself too seriously and is aware that some of its plot’s sillier aspects (faithfully adapted from the original Stephen King novel who has a fun little cameo here) aren’t given too much weight to take away from the film itself. The story itself and the turns it takes is a bit disappointing, but it’s clear that Mushcetti has a lot of love and passion for this story and for filmmaking itself. Which brings me to the production. A second highlight of this film is its production value, specifically the cinematography, musical score, and directing itself. It’s directed with a strong visual and emotional intelligence, harkening back to the days of early Speilberg and Zemeckis, giving the film a kind of 90’s bravura of big visuals, big sound, a living camera, and little bit of cheesiness. As a director, Muchetti is definitely a talent to look out for. Some of the more “harrowing” sequences are beautifully shot and executed, and having a big budget horror spectacle like this is rare these days, so that alone is worth the watch.

However, not all things are great. Midway through the film it’s clear that the scares (while “bigger” here) aren’t as effective as the first time around. There is some creativity with the way Pennywise manifests the character’s fears, but it slowly gives the feeling of when you’ve seen one scary sequence you’ve seen them all. In addition, the themes of the different trauma’s the characters and the town endured growing up and how that helps them in the end, while clear to me as a book reader, didn’t translate so well in the finale.

And that brings me to the final 20 minutes of the film, which are exhilarating. I was kind of dreading it as everything the film was building towards felt a bit like the final sequence would be predictable, but I was so happy to be wrong. The film builds and builds and then it delivers a non-stop rollercoaster ride of horror, comedy, and emotions that by then I felt I could overlook the issues I had earlier on.

All in all, this is a GREAT time at the cinema. It’s not a perfect film, and it’s not as solid as the first one, but it’s definitely worth the price of the ticket, and is the kind of horror film that everyone (above 18) can enjoy.

Hey, this is your local film buff checking in on my yearly visit to this blog to spout out my favorite films of the year (because my opinion is right and everyone else is wrong).

Disclaimer: At the time of writing this article, I hadn’t seen the following highly acclaimed films that might have had a spot otherwise: Border, Caphernaum, Minding the Gap, The Rider, and Suspiria

Note: This year has proven to be one of the worst years for Hollywood Big Studio films, but an incredible year for independent cinema. As such, you may have never heard of some of the films listed below, but how boring would it be if I wrote this entire giant article just talking about films you already know. Wouldn’t it be great to be recommended stuff you haven’t heard of, so you can find it in you to take a risk and watch it? Who knows, you might find yourself surprised to discover a gem you would have never searched for otherwise…

Hey, this is your local film buff checking in on my yearly visit to this blog to spout out my favorite films of the year (because my opinion is right and everyone else is wrong). If this is your first time reading an article of mine, that’s normal cause I’ve written 5 over 6 years or so. My name is Tarek, I’m a filmmaker, ad director, and curator for Cinemagic rooftop cinema (I basically choose the films they show, so any complaints can come my way). Let’s get to the list!

Disclaimer: At the time of writing this article, I hadn’t seen the following highly acclaimed films that might have had a spot otherwise: Faces Places – Raw – The Square – Loveless.

Hey Guys. So, most of you have probably forgotten who I am, but at some point in time I used to write film reviews for this blog (I think i ended up writing 3 in total?). Where did I go? Well, to that vast wasteland we like to call laziness. But, here’s hoping this article will lead a more frequent visit from myself so here goes.

2016. A terrible year by all accounts, but strangely, an incredible year for cinema. After one of the worst summer movie seasons of all time, without a single film sticking out, it’s quite the surprise reaching the end of the year and finding so many hidden gems.

My taste in film might not appeal to most, but the point of this post is that hopefully you will learn about or discover a hidden gem that otherwise you wouldn’t have considered. I’ve also made it a point not to include any foreign films, as there were many beautiful ones, but this is a year that represents a renaissance in American Cinema with many films that are so unique and fresh that I had to celebrate them. So without further a do, here are the 15 best films of the year, according to my pretentious and unnecessary opinion.

Disclaimer: At the time of writing this article, I hadn’t seen the following highly acclaimed films that might have had a spot otherwise: Cameraperson, Hell or Highwater, Tower, Paterson, Fences, Krisha, The Fits, and The Handmaiden.

Check out my list below:

I’ve been waiting a few weeks now for a film to peak my interest at the theaters, but like all industries, Cinema has its low moments.

Having said that, this little film has crept up on people around the world.

The title sounds like the most boring novel you can ever read, so I easily brushed it aside in a “judge a book by its cover” manner. But when I saw the director’s name, my interest was tickled. Lasse Hallstrom isn’t a favorite of mine, and in fact he can be quite inconsistent with the quality of the films he makes. However, for every forgettable film, he’s delivered a “What’s Eating Gilbert Grape”, a “The Cider House Rules” or a “Chocolat”. His better films aren’t known for their subtlety, and one can cause him of veering on cheesy territory, but if you’re in the mood for a visually rich and emotionally feel-good film, he seems to have a strong handle on things.

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