Movie studios have been purchasing and investing in properties over the past few years as their main currency: Marvel, DC, Disney, Star Wars… What property can we own and milk for years and years to come. But there’s one property no one has a monopoly on: Nostalgia. In this age of endless information, bad news, white nationalism, prejudice, and dabbing, people have had a need to relive the good old times. But when a film adaptation of IT was announced off the heels of the success of Stranger Things, I said “here we go again”. Surprisingly though, Andy Muschetti’s film turned out to be one of the most entertaining and well directed films of the year.
So when Vox Cinemas invited me to the premiere of IT Chapter Two, I didn’t hesitate. The event itself was quite fun, every seat had a gift bag with a poster, a funky pop Pennywise doll, and a few other little trinkets. For added effect, each seat had a red balloon tied to it. But the standout was an extremely dedicated actor dressed (with some impressive makeup) as the titular character. He would provide some fun jump scares to the guests as they walked into the theater (but thankfully disappeared when the actual film started). As a whole, it was a great experience from Vox and I hope they do this with every major release. Now let’s get to the film:
IT Chapter 2 picks up 27 years after part one, and after a disturbing opening sequence, we catch up with our characters all grown up, mostly successful, but separate from one another. However, after the resurgence of a familiar string of missing people back home, it becomes clear that they have to reunite and fulfill the pledge they made to each other at the end of the first film. And that’s as much as I’ll spoil in terms of the plot, because half the fun of the film is discovering it as it reveals itself.
It Chapter 2, like its predecessor, is one of the most entertaining films of the year. There was not a moment where I shifted in my seat or looked at my phone. The film is exciting, at times surprisingly hilarious, and sometimes pretty scary. The best thing about these films remains the characters and the performances. The casting of Chapter Two is impeccable. Probably the best casting I’ve seen where the adult actors look like their child counterparts. The characters themselves are fully developed and individual enough that they always keep the film entertaining. The performances by James McAvoy and Jesica Chastain are solid as always, but its clear the standout here is a hilarious but ultimately moving performance by Bill Hader (Barry fans rejoice!). The film as a whole doesn’t take itself too seriously and is aware that some of its plot’s sillier aspects (faithfully adapted from the original Stephen King novel who has a fun little cameo here) aren’t given too much weight to take away from the film itself. The story itself and the turns it takes is a bit disappointing, but it’s clear that Mushcetti has a lot of love and passion for this story and for filmmaking itself. Which brings me to the production. A second highlight of this film is its production value, specifically the cinematography, musical score, and directing itself. It’s directed with a strong visual and emotional intelligence, harkening back to the days of early Speilberg and Zemeckis, giving the film a kind of 90’s bravura of big visuals, big sound, a living camera, and little bit of cheesiness. As a director, Muchetti is definitely a talent to look out for. Some of the more “harrowing” sequences are beautifully shot and executed, and having a big budget horror spectacle like this is rare these days, so that alone is worth the watch.
However, not all things are great. Midway through the film it’s clear that the scares (while “bigger” here) aren’t as effective as the first time around. There is some creativity with the way Pennywise manifests the character’s fears, but it slowly gives the feeling of when you’ve seen one scary sequence you’ve seen them all. In addition, the themes of the different trauma’s the characters and the town endured growing up and how that helps them in the end, while clear to me as a book reader, didn’t translate so well in the finale.
And that brings me to the final 20 minutes of the film, which are exhilarating. I was kind of dreading it as everything the film was building towards felt a bit like the final sequence would be predictable, but I was so happy to be wrong. The film builds and builds and then it delivers a non-stop rollercoaster ride of horror, comedy, and emotions that by then I felt I could overlook the issues I had earlier on.
All in all, this is a GREAT time at the cinema. It’s not a perfect film, and it’s not as solid as the first one, but it’s definitely worth the price of the ticket, and is the kind of horror film that everyone (above 18) can enjoy.
A redditor put together an Excel sheet comparing the cinema prices in Kuwait including food and drinks. The version above is a simplified version comparing just the three main cinema companies but if you want to check out his more detailed list, click here.
The prices highlighted in green are the lowest for that category while red is for the highest. Overall, Cinescape has the most affordable prices while Vox is the most expensive.
Cinescape recently launched what they’re calling their “first ever boutique cinema”. 1954 Film House is a retro-looking cinema that reflects the history of cinema in the golden era when theaters were much more glamorous.
The cinema is decorated with posters of old films and contains three different theaters with distinctive looks, each representing a different story on the history of cinema. I haven’t visited this new theater yet because of the fact that it’s located in Al Kout Mall which is pretty far from where I live, but it’s definitely an interesting idea although it would have made more sense if it also played older films and not just the current commercial ones.
If you want to find out more you can check out their Instagram account @1954filmhouse
Recently I decided to upgrade my TV life to 4K. It wasn’t something I planned for, I was at Xcite picking up something and decided to take a walk in the TV aisle and got amazed at how sharp the footage was on their 4K TV’s. Since Amazon Video, Netflix and YouTube now support 4K, I decided I might as well get a new 4K capable TV. I ended up with the Samsung NU8000, it cost me around KD260 for the 55″ which is pretty reasonable compared to some other TVs.
So what I didn’t know about upgrading to 4K was that I’d need to upgrade a whole bunch of other things as well to get 4K working. At first, I thought I could just upgrade my Apple TV to the new 4K version and that would be it, but then I found out my sound system receiver which I plug everything into wasn’t 4K compatible. So I had to go out and buy a new AV receiver that was also 4K compatible. Then I found out that my HDMI cables also weren’t 4K compatible (surprisingly 4K HDMI cables aren’t a marketing gimmick!). So I had to go back out and buy new 4K capable HDMI cables. In the end, to get 4K working at home I had to buy a new TV, new Apple TV, a new AV receiver, two new HDMI cables and then on top of that, upgrade my Netflix membership to the more expensive 4K package ($15.99). So was it worth it?
After fiddling a ton with a bunch of settings on my TV and AppleTV (mostly the HDR settings), I finally got everything working the way I wanted it to. Not everything is shot in 4K (or HDR) but most of the new shows and movies are. I think the most impressive things visually I’ve watched in 4K were David Attenborough’s new Netflix documentary “Our Planet“, the documentary series “One Strange Rock” that’s directed by Darren Aronofsky and hosted by Will Smith, and finally the Netflix Sci-Fi film “I Am Mother“. All three were 4K and had HDR so the footage was super crisp and impressive, especially some of the darker scenes in “I Am Mother” where HDR I think made a lot of difference. HDR is a technique used to get a more dynamic range of luminosity in the footage and most TV’s nowadays I believe have it. You can clearly see HDR at work in some scenes, but it’s difficult for me to put in words (but I’ll try). If you’re watching TV in the dark and there is a dark scene and suddenly a beam of sunlight shines through a crack in a wall and hits the camera, the sunlight looks super bright to the point you squint because HDR helps keep the dark areas of the screen really dark. Not sure if that made sense but basically you can get a lot more range of darkness and lightness in the same scene at the same time.
Should you upgrade to 4K? If you’re looking to get a new TV then yes it’s a no brainer. If you don’t have an external sound system or a device like Apple TV and are instead, just planning to use the streaming apps that you can install directly on the TV, it’s not gonna be too expensive to get 4K working. But on the other hand, if you do have a full setup like mine and one that you purchased a while back, expect to spend quite a bit to get 4K up and running properly. If you play videogames you’ll also have the added expense of having to upgrade to the 4K capable PS4 or Xbox as well on top of all the other expenses I mentioned earlier. But, I do think the combination of having 4K and HDR is worth it since it has elevated my TV viewing experience a lot more than when I had upgraded my TV from 720P to 1080P. So do it.
