Movie studios have been purchasing and investing in properties over the past few years as their main currency: Marvel, DC, Disney, Star Wars… What property can we own and milk for years and years to come. But there’s one property no one has a monopoly on: Nostalgia. In this age of endless information, bad news, white nationalism, prejudice, and dabbing, people have had a need to relive the good old times. But when a film adaptation of IT was announced off the heels of the success of Stranger Things, I said “here we go again”. Surprisingly though, Andy Muschetti’s film turned out to be one of the most entertaining and well directed films of the year.
So when Vox Cinemas invited me to the premiere of IT Chapter Two, I didn’t hesitate. The event itself was quite fun, every seat had a gift bag with a poster, a funky pop Pennywise doll, and a few other little trinkets. For added effect, each seat had a red balloon tied to it. But the standout was an extremely dedicated actor dressed (with some impressive makeup) as the titular character. He would provide some fun jump scares to the guests as they walked into the theater (but thankfully disappeared when the actual film started). As a whole, it was a great experience from Vox and I hope they do this with every major release. Now let’s get to the film:
IT Chapter 2 picks up 27 years after part one, and after a disturbing opening sequence, we catch up with our characters all grown up, mostly successful, but separate from one another. However, after the resurgence of a familiar string of missing people back home, it becomes clear that they have to reunite and fulfill the pledge they made to each other at the end of the first film. And that’s as much as I’ll spoil in terms of the plot, because half the fun of the film is discovering it as it reveals itself.
It Chapter 2, like its predecessor, is one of the most entertaining films of the year. There was not a moment where I shifted in my seat or looked at my phone. The film is exciting, at times surprisingly hilarious, and sometimes pretty scary. The best thing about these films remains the characters and the performances. The casting of Chapter Two is impeccable. Probably the best casting I’ve seen where the adult actors look like their child counterparts. The characters themselves are fully developed and individual enough that they always keep the film entertaining. The performances by James McAvoy and Jesica Chastain are solid as always, but its clear the standout here is a hilarious but ultimately moving performance by Bill Hader (Barry fans rejoice!). The film as a whole doesn’t take itself too seriously and is aware that some of its plot’s sillier aspects (faithfully adapted from the original Stephen King novel who has a fun little cameo here) aren’t given too much weight to take away from the film itself. The story itself and the turns it takes is a bit disappointing, but it’s clear that Mushcetti has a lot of love and passion for this story and for filmmaking itself. Which brings me to the production. A second highlight of this film is its production value, specifically the cinematography, musical score, and directing itself. It’s directed with a strong visual and emotional intelligence, harkening back to the days of early Speilberg and Zemeckis, giving the film a kind of 90’s bravura of big visuals, big sound, a living camera, and little bit of cheesiness. As a director, Muchetti is definitely a talent to look out for. Some of the more “harrowing” sequences are beautifully shot and executed, and having a big budget horror spectacle like this is rare these days, so that alone is worth the watch.
However, not all things are great. Midway through the film it’s clear that the scares (while “bigger” here) aren’t as effective as the first time around. There is some creativity with the way Pennywise manifests the character’s fears, but it slowly gives the feeling of when you’ve seen one scary sequence you’ve seen them all. In addition, the themes of the different trauma’s the characters and the town endured growing up and how that helps them in the end, while clear to me as a book reader, didn’t translate so well in the finale.
And that brings me to the final 20 minutes of the film, which are exhilarating. I was kind of dreading it as everything the film was building towards felt a bit like the final sequence would be predictable, but I was so happy to be wrong. The film builds and builds and then it delivers a non-stop rollercoaster ride of horror, comedy, and emotions that by then I felt I could overlook the issues I had earlier on.
All in all, this is a GREAT time at the cinema. It’s not a perfect film, and it’s not as solid as the first one, but it’s definitely worth the price of the ticket, and is the kind of horror film that everyone (above 18) can enjoy.
A redditor put together an Excel sheet comparing the cinema prices in Kuwait including food and drinks. The version above is a simplified version comparing just the three main cinema companies but if you want to check out his more detailed list, click here.
The prices highlighted in green are the lowest for that category while red is for the highest. Overall, Cinescape has the most affordable prices while Vox is the most expensive.
Cinescape recently launched what they’re calling their “first ever boutique cinema”. 1954 Film House is a retro-looking cinema that reflects the history of cinema in the golden era when theaters were much more glamorous.
The cinema is decorated with posters of old films and contains three different theaters with distinctive looks, each representing a different story on the history of cinema. I haven’t visited this new theater yet because of the fact that it’s located in Al Kout Mall which is pretty far from where I live, but it’s definitely an interesting idea although it would have made more sense if it also played older films and not just the current commercial ones.
If you want to find out more you can check out their Instagram account @1954filmhouse
