Last Tuesday I was invited to the VOX Kuwait premier for the new Jumanji film, The Next Level. Not my typical cup of tea, but I remember being pleasantly surprised at the last film when I took my son to watch it a couple of years ago. So when I got the invite, I called my son up and told him to get ready, and he was ecstatic. That’s the real value of these films, they aren’t true cinema, but they are the kind of kid friendly adventure films that I used to watch in the 90’s. Not to say this is another nostalgia driven film, it’s it’s own modern tale but it reminds me of 90s films because of its spirit.
VOX blew it out the park this time. The red carpet was replaced with a shifting landscape inspired from the film (starting with walking on a draw bridge, to a sandy desert floor, to a snowy landscape (ok tiny foam balls but it looked the part). Once we got into the theater, we had a local drum circle give it their all drumming away and getting the audience involved, it was more exciting than expected.
If you’re a fan of the last Jumanji, you will be a fan of this one. It’s that simple. The Next Level finds new ways to play with its formula, most cleverly by switching which characters takes on once back in the game, which allows us to see a different sides of the cast. One of the criticism from the last film was that the in-game characters didn’t act like the humans they came from but just acted like themselves (Kevin Hart was just Kevin Hart in shorts). This time around they all play against type, with Dwayne Johnson playing an elderly demented Danny Devito, and Kevin Hart playing a slow soft talking sophisticated intellectual (see what I mean?).
In terms of censorship, it’s a family film so really nothing to worry about except the occasional kiss that’s cut, but the plot remains intact.
This is pure popcorn cinema. It’s funny, well directed, with some exciting action sequences and occasionally well executed gags. Again this isn’t anything to write home about, but with films like this you gotta judge on a curve and keep in mind what the movie is trying to do. Take your kids, take your nephews and nieces, or if you enjoy a good easy unironic time at the cinema, take yourselves and enjoy it. God knows we can use more fun in movies, and at the very least, Jumanji The Next Level delivers on that.
Last Tuesday I was invited to the premiere of Doctor Sleep by my favorite movie theater, Vox Kuwait at the Avenues Phase 4, and as usual for their premieres, the event was a pleasure for film geeks (full of thematic decor and even two little twin girl actresses which were adorable in their attempts to scare guests). After walking on a red carpet designed after the famous carpet from The Shining, we took our seats and the lights went down.
Regarding the elephant that’s always in the room, censorship, this film has been cut in a few places, but not in a way that makes it unwatchable. It doesn’t affect the plot and you’re aware of what’s going on, but some cuts do come at some moments where you’re really drawn into the film. But all the cuts were momentary, nothing like whole scenes removed. Anyway, onto the review.
You’ve got to have quite a pair to think you can pull of a sequel to The Shining. Not only is it a horror masterpiece, but it is perhaps one of the most obsessed over films in history (watch the documentary Room 237 for proof). Up until now, director Mike Flanagan has been a solid horror filmmaker with a fresh voice and a couple of strong entries under his belt, but he hasn’t attempted anything quite so ambitious as Doctor Sleep. Does it pay off? Well yes… and no.
To be fair, it’s near impossible to create a satisfying sequel to The Shining especially since Kubrick veered way off the Stephen King novel it was based on, creating instead an intimate horror film with a singular vision which benefits most from its ambiguity and its lack of a need for a sequel. So when adapting Doctor Sleep (King’s sequel to his Shining), Flanagan decided to take a route where he bridges the gap between King and Kubrick. The result feels like two interesting films in their own right mashed up messily. The script suffers a lot from it and it’s the script itself which is the weakest link in this film.
The storytelling and filmmaking, however, is where the film shines (ahem). Flanagan does an excellent job of building tension, creating mood, and allowing scenes to be paced calmly and correctly. He doesn’t rush you into “scares”, but rather allows you to get invested into the characters. This is most evident in the first 40 minutes or so where very little plot is divulged, and we are just getting to know our three main characters. These were some of my favorite scenes in the film because Flanagan directs them maturely and really allows us to connect to Danny Torrance’s struggle with his demons. I very much appreciated that the film did not rely on The Shining nostalgia or fan service to create excitement. In fact, the only time we are really given that kind of nostalgia is in the last 30 minutes of a 2.5 hour film, so by then you’ve already emotionally invested into this new story entirely.
Aside from the filmmaking, the performances stand out as well. Ewan McGregor is perfect in the title role, and Kyliegh Curran gives an Excellent child performance that is exciting and convincing. But really it’s Rebecca Ferguson as the antagonist who steals the film. I was worried from the trailers as her storyline looked cheesy, but she is somehow convincing and gives a very interesting performance of a character that is at once cold blooded but somehow understandable. I like her work in the Mission Impossible films, but now I’m a full on fan.
In the end, I felt Doctor Sleep was an entertaining film with some really strong sequences (the Astral Projection moment was visionary, and the Baseball boy sequence was extremely disturbing and effective), but it’s nods to the Shining only reveal how much stronger that film is. To me, this is a pretty weak Kubrick tribute, but a very strong Stephen King film adaptation. It’s different than most films coming out in cinemas these days, and some of it’s inventive filmmaking makes up for its flaws. I still recommend a watch to horror and film fans as it has an original voice and style to it that is a breath of fresh air amongst the hundred of cynical cash grabs posing as cinema today.
