This is going to be a long one.
Winner: LITERALLY NO ONE WINS. LITERALLY.

I watched Van Helsing a few years ago. It’s a shitty movie with Hugh Jackman and Kate Beckinsale. Early in the movie, Van Helsing goes to Kate Beckinsale’s village, only to be attacked by 3 sexy flying vampire women. Because the flying sexy vampires are sexy, anytime there was a closeup of one of them, the frames were cut. The Flying Sexies would just die off one at a time. I remember this because at one point, the last remaining Sexie was outside flying around and screaming then suddenly CUTCUTCUT she’s inside already turned to ash around a crossbow bolt to her now visible chest. The editing was so jarring that I literally felt sick, like being in strobe lights for too long. I got up and walked out of the Cinema in Kuwait for the last time.

So why do we censor such things but not violence? Think about this, if a movie showed a woman getting her arm taken off, not a problem. Shirt taken off, problem. A horde of zombies grab someone and bite their goddamn face off, no problem. Someone kisses their wife for good luck before embarking on some death-defying last-ditch effort against all odds. That’s a fucking problem. “Tsk. Why are you kissing? Ha? Who told you to kiss? Tsk. Shino hatha? There’s a camera here and we can all see you. Tsk. Respect yourselves.”

They also censor blasphemy. When the bad guy says, “I will be a god” or something like that, I know it’s wrong. He’s an asshole. What do you expect? That’s why we’re all paying money. To sit here silently in the dark and watch someone kick his ass. Why do I need that part of his asshole behaviour to be kept from me? Doesn’t context matter?

Whether they censor a brief kiss from the movie or cut a movie into spastic chaos, it doesn’t matter to me. The result is the same; I am ripped away from the movie and put into a movie theatre sitting next to the sonofabitch friend that convinced me to give this shit another chance. (You lied to me Mohi, you lied right to my face.)

So now people are reduced to looking up the running time of the film from the cinema companies here and comparing them with the actual running time of the film to see how much of the movie is cut. Some friends of mine went to watch Rush Hour 2 or 3. It was literally an hour long. Allegedly, films are watched by a panel of men. The men have a button each. They press the button when something is worth censoring. It doesn’t take a consensus, just one to be offended. The process is then repeated through a panel of women. Allegedly. But I believe it just because of how ridiculous it sounds.

Now think about this, and this is what drives me to rage, a group of people, that have never met you, watch something uncut, on your behalf, to mark the things that you would not be able to handle, and remove them from your experience. We are treated as children. Undeveloped enough to be able to comprehend reality from film. The whole thing is institutionally condescending. And honestly, what’s the point of censoring movies when everyone has OSN at home and the internet everywhere else they go? At this point is it little more than a empty gesture of righteousness?

TL;DR
I won’t go to the cinemas here or anywhere films are censored. Even if it’s just a kiss. Even if it’s a kids movie. Because they censored the lion king. The Lion King.

Runner up: Cinemagics
I was the man with the plan behind the Game of Thrones private cinema night that Mark wrote about. I loved that place. What a fun night. And is there anything more enjoyable than watching a movie on a rooftop in Old Salmiya on a cool winter night? Fantastic movies and beautiful viewing areas, I can’t recommend Cinemagics enough. If you’ve never experienced it, do yourselves a favour and check them out.

Winner:Cinemagics
I’ve been posting about the Cinemagics rooftop movies for years now and every year they keep making it better. This year for example they replaced the previously uncomfortable chairs with super comfy air sofas. They also added a live food station and their movie choices are also unmatched. Best part is you can watch their movies for free and thats because Cinemagics is trying to contribute to the development of an internationally competitive Kuwaiti audio-visual production industry, partly by bringing the filmmakers and audiences together and by increasing the public’s interest in – and appreciation for – the art of film-making. And to top it all off, they’re located down the street from where I live. An easy winner here.

Runner up: Cinescape 360 Mall
I have to agree with Nima regarding the censorship issue, I stopped watching movies for a long time in Kuwait because I got pissed off after going to watch The Simpsons and realizing it was censored. But I’ve recently started going back to the movies again but now I make sure whatever I watch isn’t censored, or at least minor censorship, like I wouldn’t mind one kissing scene being chopped. That said, the movie theater I frequent the most, or should I say the only theater I actually go to now is the Cinescape one at 360 Mall. Its aesthetically pleasing and their IMAX 3D theater is the best one in Kuwait from what I’m aware of (let me know if there is a better one cuz I’d love to check it out). Note to Cinescape, just buy cinescape.com already, it’s what I always type before realizing I need to go to kncc.com instead.

Last week me and some friends rented out the cinema room at Cinemagics and watched episode 9 of Game of Thrones. It’s a small VIP theater with 12 reclining leather seats, a large 5×2.5m screen and a dolby digital surround system. It was pretty fun since we all had dinner at my place first and then walked over to Cinemagics which is just down the street from me. I wasn’t planning on posting about the room until after the finale tomorrow since I was going to book the room again. But, I decided to travel for a couple of days so I won’t be here anymore for the final episode.

The room is very cozy and the seats really comfortable. They provide you with water and popcorn and they also will stay open late for you since last week we ended up heading there are 10:30 at night and leaving around midnight. The only thing I would recommend is if you’re 10 people NOT to try and take the lift up to Cinemagics together. We got stuck for a few minutes and it wasn’t fun. Anyway if anyone is interested in booking the cinema room tomorrow, you can contact Yousif on 67001250.

The scene above is from the movie Mad Max, seems the censors are now airbrushing some scenes with revealing clothing. Not sure how I feel about this, on one hand its better than completely cutting the scene, but on the other hand it’s still censorship and that sucks.

via @HHajyah

Sandarah by Yousef

Sandarah is a short animated film by Kuwait animator Yousef Al Bagshi. The film was uploaded 7 months ago but it seems to have just been discovered recently. It’s Yousef’s first animation and it took him nearly a year and a half of work to complete it. The film is gorgeous, I really love his illustration style and the way he renders the light in all the scenes. The story is also captivating and from what I’ve been told based on a true event that took place during the 1990 Iraqi invasion. The film is under 7 minutes long so make sure you watch it.

Thanks to everyone who sent this in.

Popular Indian movie star Akshay Kumar is going to star in an upcoming film based on the 1990 Iraq invasion of Kuwait called “Airlift”. The movie is based on a true story and one I hadn’t heard of before. Here is the film synopsis:

Ranjit Katyal (played by Akshay Kumar), a wealthy and powerful Indian businessman, who has always seen himself as a Kuwaiti, rather than an Indian, realises that he no longer wields any influence on the Iraqis, and that he and his family are in as much danger as anyone else. Ranjit unknowingly becomes the man who all 170,000 Indians look up to for getting them out safely from Kuwait. Airlift is the story of Indians stranded in Kuwait during this traumatic time. A story of how they, with the help of Ranjit Katyal, managed to survive the Iraqi invasion, and against all odds travelled a thousand kilometres across the border into Amman, Jordan. From Amman, 170,000 Indians were brought home by the largest and the most successful evacuation ever attempted by any country, in the history of the world. Over 59 days, the Indian government systematically flew over 488 Air India commercial flights into a war zone to evacuate all 170,000 Indians and safely bring them back home. Airlift is an uplifting and entertaining edge-of-the-seat thriller and is the story of the biggest ever human evacuation in the history of mankind.

Airlift, directed by Raja Krishna Menon, starts filming April 2015 and is presented by T-Series and Cape of Good Films; produced by Crouching Tiger and Emmay Entertainment. Bhushan Kumar, talking about the film, said, “It’s my conviction that the story will be equally appreciated once on celluloid as much as I loved it during narration. The character that Akshay plays is filled with heroism and I am sure he will add to the perfection with this central character role that he essays.”

It’s definitely going on my must watch list. The movie comes out January 2016. [Source 1] [Source 2]

I’ve been waiting a few weeks now for a film to peak my interest at the theaters, but like all industries, Cinema has its low moments.

Having said that, this little film has crept up on people around the world.

The title sounds like the most boring novel you can ever read, so I easily brushed it aside in a “judge a book by its cover” manner. But when I saw the director’s name, my interest was tickled. Lasse Hallstrom isn’t a favorite of mine, and in fact he can be quite inconsistent with the quality of the films he makes. However, for every forgettable film, he’s delivered a “What’s Eating Gilbert Grape”, a “The Cider House Rules” or a “Chocolat”. His better films aren’t known for their subtlety, and one can cause him of veering on cheesy territory, but if you’re in the mood for a visually rich and emotionally feel-good film, he seems to have a strong handle on things.

Continue reading…

A few months ago OSN launched a video streaming service similar to Netflix called ‘Go’. For just $10 a month you get access to a large library of movies and TV shows which are all available to watch at any time from your desktop or your mobile devices.

I found out about the service today and after playing around with it for a few hours I liked it, even though I don’t have a use for it.

The service isn’t anywhere near perfect but it’s a good start nonetheless. I have two main issues with ‘Go’, the first is the limited library. In the TV shows category they only have 15 shows, all old seasons which most of us have watched before. I compliment them on the fact they have one of my favorite shows ‘Boss‘ available but that show got canceled like 2 years back. The movies category is a lot better just don’t expect any of the latest blockbusters. Their movie section actually reminded me of Blockbuster back when I used to rent videotapes from them in Canada. Once I would be done watching everything in the top 20 I would wander randomly around the store looking for old classics I might have missed out on. Groundhog Day, Good Morning Vietnam, Top Gun, Medicine Man.. all classics available to watch along with other more recent hits. If only they would allow us to sort through the movies by release date, it would make things a lot more practical.

The second issue I had with ‘Go’ was the quality of the video stream. I’m on a 10Mbps connection and I had difficulty getting a decent quality stream going. They don’t even let you control the quality of the video, they do it automatically for you based on your current speed so if your connection is fluctuating so will the quality of the video. One minute I’m watching a clear 1.3Mbps stream a few seconds later it drops down to 300Kbps, then back up to 800, then back down to 500. It’s really irritating and I wish they had an option similar to YouTube where I could choose the quality, hit pause and let it buffer up a bit and then hit play. On my iPhone things were slight better just because the screen is smaller so compression artifacts didn’t show as much.

On the plus side $10 a month is pretty cheap and I loved the fact I could play anything I wanted instantly. Even skipping randomly into different sections of the movie was fast. On the iPhone you could also leave the app while watching something and when you come back to it, the app will remember your last position and continue playing from where you stopped.

As I mentioned in the beginning, it’s not a bad start for a service that just recently launched. You don’t need to be an OSN subscriber to sign up to ‘Go’ and they also have a 7-day free trial so you could give it a spin before deciding if you want it or not. Here is a link to their [Website]

Thanks Sara

The first part of the documentary on Kuwait that is airing on British Airways this month has been uploaded online in full HD. It’s nearly 12 minutes long and you can watch it above. [YouTube]

For the month of August, British Airways will be airing a short documentary about Kuwait on board more than 3,000 flights around the world. The documentary is called “Kuwait: Through Our Eyes” and is divided into four 10-minute films. Originally British Airways were planning just a 10-minute film but due to the overwhelming demand they ended up turning it into a four part series. Kuwait is just one of twenty countries from around the world that are getting a film done and Kuwait is the first one from the Middle East to be featured.

August is one of the busiest months of the year so Kuwait should get a lot of exposure. I couldn’t find a copy of the film online to watch but I’m hoping British Airways will upload it next month onto YouTube or their website. Check out the full article on KUNA [Here]

Thanks @Buzfairy

Update: Part one is now online, watch it below.

[YouTube]

Although I’d like to believe that I’ve watched every movie related to the 1990 invasion of Kuwait, I obviously haven’t since I just found out about a film called Lessons of Darkness (thanks to reddit). The movie is directed by the German director Werner Herzog and was released in 1992. The style is similar to Baraka and Samsara where epic footage is combined with beautiful music except in this case, the beautiful footage is mostly of horror and destruction.

At the end of the Gulf War, following the troops’ withdrawal, Herzog travelled to Kuwait in order to explore this conflict in situ, filming a landscape as inhospitable and desolate as it is unnerving and perversely attractive: the devastation of war is exacerbated by the numerous oil wells in flames, towers of fire that appear to emerge from the earth, resulting in a deeply moving spectacle. With this backdrop, Herzog’s camera narrates several stories at once: the complex and extremely dangerous operation of extinguishing these fires, the psychological and emotional scars the war has left on the country’s inhabitants, and the harmful environmental consequences Kuwait must face. The images are often sublime, combining beauty and horror in a single shot. Despite the music used in several sequences, silence is ever-present: a woman and child serve to testify that even the inhabitants themselves have become mute. Ultimately the film affirms that it is impossible to express anything when faced with such horror. And, all we can do, once again, is thank the German director for having gone there to film it.

Trailer LESSONS OF DARKNESS (Werner Herzog, 1992)

You can watch the trailer above and the movie is available to download via torrents or you can buy it from Amazon.