Category: Art

This powerful exhibition and one of the largest in the region, will feature the artworks of more than 100 global artists who have generously donated their art to support the Intisar Foundation mental health drama therapy programs in Palestine and to stand as a unified call for Peace in the Arab world.

Opening Tuesday, September 24 at 7:00PM.
Location: Contemporary Art Platform (Location)

The Arts & Crafts shop that used to be located off Canada Dry street have moved to a new location. Their new shop is located in the Design District in Shuwaikh, the same complex that has the restaurants Cure and Ovo (Google Maps).

The store is much smaller than their previous location but they’re still a good place to visit if you’re looking for specific art supplies from any of the following brands:

Art Rangers
Canson
Daler-Rowney
Gelli
Lyra
Maimeri
Mogart
Rotring
Sennelier
Speedball

They used to have an online store but seems to be down. Also not sure what their relationship with Mogahwi is since they have a joint store in Shuwaikh as well (Google Maps).

Their Instagram isn’t updated frequently but if you want to check it out it’s @artsandcrafts_kw

Jasem Alsanea is a Kuwaiti multidisciplinary artist who caught my attention with his incredible hyper-surrealistic installations inspired by Kuwaiti culture. The two sculptures I’ve shared above are titled ‘Dana in the Desert’ and ‘Bū-Daryā’.

‘Dana in the Desert’ depicts an old lady and draws upon the Kuwaiti mythology of Hmarat Al-Gaylah, addressing the aftermath of the Gulf War and the landmines left in the Kuwaiti desert. The second installation, inspired by Khaleeji mythology, portrays the water djinn Bū-Daryā, who roams the Arabian Gulf Sea. Through this artwork, Jasem explores the connections between Kuwait’s historical pearl diving economy and its current oil production economy, while also reflecting on the 1991 Iraqi invasion’s oil spill into the Kuwaiti sea.

Since childhood, Jasem has had an extremely vivid imagination that he wanted to bring to life. He began his artistic journey with performance and special effects makeup, then moved on to painting and mixed media before enrolling in the sculpture program at the Rhode Island School of Design. Today, Jasem uses sculpture, film, and virtual reality to bring his imagination into the real world.

His installations have only been exhibited in the United States so far, as he was studying and living there. However, Jasem plans to return to Kuwait this autumn, where he hopes to exhibit his work. In the meantime, if you’d like to see more of his work, including behind-the-scenes photos, check out his Instagram @jasemalsanea

There is an Instagram account I find visually very interesting called @Dihrez. It’s run by a Kuwaiti designer fascinated in creating an alternate history for Kuwait, which is a subject I find very captivating.

I got in touch with the designer to find out why he started the account and what his story is. It turns out he works in the educational field, which is partly why he wants to stay anonymous for now.

Dihrez has always been interested in the concept of ‘alternate history’ in literary and artistic works. Similar to shows like ‘The Man in the High Castle,’ which is based on an alternate reality in which Germany wins World War II, or ‘For All Mankind,’ where the Russians were the first to land on the moon, Dihrez wanted to create an alternate reality for Kuwait.

The account is only two months old, so you can see how Dihrez is still figuring out the kind of content he wants to share and how it’s all evolving

In the beginning, for example, he started experimenting by creating visuals from old everyday life (1950s-1980s) and then adding imagined elements to them. The idea was to make the viewer feel that the scene is both familiar and unfamiliar at the same time. This feeling creates a momentary paradox and raises the question: Is this real?

Later, he started creating imaginary posters and ads. A few days ago, he began experimenting by taking popular old Kuwaiti photographs and animating them into short videos (the results are super cool). He uses a combination of techniques, including AI and his graphic design background, to create his work, resulting in pieces that are somewhat like collages.

You can see some of my favorites here, but definitely follow his account to see more of his work including his latest animated one @Dihrez

Ten years ago, Kuwait held the largest sand sculpture festival in the world, the Remal International Festival (@remalfest). The festival took place at the Kuwait International Fairgrounds and covered an area equivalent to six football fields. Now a decade later, Damon Langlois, the creative director behind the project is releasing a book called “Stories in Sand” that documents his experience.

Damon was a five-time world champion and Guinness World Record holder for the tallest sand castle before getting hired to come to Kuwait and lead the project that would be based around the Arabian Nights. He spent over seven months researching and designing the scenes before bringing together 72 of the world’s best sand artists to reimagine the stories from 1001 Nights.

The sculpture park was constructed out of only sand and water, it was a major artistic feat, and extremely risky. The artists were all reminded of this when the park was destroyed by a devastating three-day storm halfway through the build. At the time, it was the worst storm to hit Kuwait in over 50 years.

I remember reading that “some” sculptures had been damaged, but now I realized how bad it really was. The destruction caused Damon and his team to feel defeated after all the hard work had been washed away. But, they were able to recover and complete the project, and the park eventually opened in January 2014 before closing 4 months later in April.

Damon’s book “Stories in Sand”, is part art and part storybook. The initial print run is set at only 260 books and contains 276 pages filled with behind the scenes and final creation photos and stories. There are limited copies of the book so if you want one you need to act fast. I’m assuming they will get sold out quickly after this post which is why I already ordered my copy. The book doesn’t ship to Kuwait directly so I had to put my Shop&Ship address instead.

If you want to pre-order a copy, here is the link to the Kickstarter.

For my old posts on the Remal Festival, click here.

Last week artist Jad El Khoury was brought back to Kuwait to create a new mural in place of his erased one, that project was just one of many that the National Council for Culture, Arts and Letters have in the pipeline.

NCCAL recently underwent a leadership transition that is instigating significant changes. They want to transform the public art scene starting with a commitment to providing increased opportunities for both local and international artists. By fostering trust between artists and the public sector, they hope to cultivate a vibrant public art community in Kuwait.

Their first project launched earlier this year and they called it “Al Fenn Al Thalith Murals Project” (roughly translates to “The Third Art Murals Project). The project is an open platform for artists that streamlines the process of obtaining permits to create murals on public property and spaces. They launched the project with an open invitation for people to submit their designs and if chosen, they’d then be able to paint them onto the electrical substations in that area.

With their first projects out of the way, NCCAL are now working on the next ones. One of the future projects targets what they call “trouble zones” all over Kuwait, breathing life into them with mural art. They also want to collaborate with a variety of entities such as Jedareyat, the Australian Embassy (future project in the works), and various private sponsors/collaborators.

I also found it interesting that NCCAL supports all local artists, regardless of where they’re from. Additionally, they aim to continue inviting international artists so they could bring diverse perspectives and experiences to the local scene.

NCCAL are currently in the process of setting up social media pages and an official website that will encompass all these projects, but for now, if you’re interested in obtaining a permit to create a mural on public property, you can do so through the NCCAL website, nccal.gov.kw

Back in 2016, a beautiful wall mural by the award winning artist Jad El Khoury was commissioned on the side of the National Council for Culture, Arts and Letters (NCCAL) building. The project had been sponsored by Jedareyat, a local volunteer group that scours the city for dead walls, and artists who can transform them into picture-worthy landmarks.

In 2020, controversy arose when the mural was painted over with white paint, completely destroying it. A lot of people were obviously upset about the incident, and what was a beautiful wall in the city turned into a generic white surface.

But there is now some good news! 

Jad has been brought back to Kuwait and has been commissioned to paint a brand new mural on the same wall again. The new artwork was commissioned by Froyo, the National Council for Culture, Arts and Letters and in collaboration again with Jedariyat.

The building has been undergoing preparation over the past few days and is now ready to be painted on. Jad will be starting work tomorrow (Friday) and is expected to complete the artwork by next Wednesday. If you want to watch him paint his new mural, then you can pass by over the coming days during the day to check him work.

Jad’s previous artwork was titled “Single Man” and was inspired by him moving from Lebanon to Kuwait for work. The mural had represented a single person trying to fit into a new chaotic environment.

On the occasion of National Day and Liberation Day, @alshaheedpark in collaboration with @martyrskuwait created a light installation composed of LED roses. There are 1,329 roses in the garden, each representing a Kuwaiti martyr.

The installation is located in Al Shaheed Park Phase II, and if you want to take photos, I’d recommend visiting during sunset so that your photos don’t end up very dark.

Two Kuwaiti female artists, Aseel AlYaqoub and Monira Al Qadiri are taking part in this year’s Desert X AlUla 2024 open-air art exhibition.

15 artists from around the world were invited to take part in the exhibition under the theme of “In the Presence Of Absence”. The exhibition is taking place in AlUla area in Saudi Arabia and is open to all to visit.

Aseel’s work is the one on top, while Monira’s are the black enlarged meteorites above. For more information and photos of their installations, head over to their instagram account @aseelalyaqoub and @moniraism.

Desert X AlUla 2024 runs from 9 February to 23 March. For more information on the exhibition, visit @artsalula⠀

Photos: Courtesy of The Royal Commission for AlUla

If you’re looking for something to do tonight, Bon Jiri has a small bottom drawer drawing exhibition featuring 7 artists and 14 artworks. Generally the vibe at their small events are very cool so pass by if you feel like doing something. @bonjiri.yakitori

Kuwaiti artist Farah Behbehani was one of seven artists shortlisted for the third edition of Louvre Abu Dhabi ‘Art Here’.

This year ‘Art Here’ explores the theme of ‘Transparencies’ and Farah’s installation titled Hiya (She) is a homage to the 10th-century Syrian Muslim astronomer, Mariam Al-‘Ijliya who changed the face of astronomy by pioneering an early scientific instrument used to measure time and to calculate the position celestial bodies.

Farah’s installation is inspired by the Tughrul tower, a 12th-century brick tomb tower that also functions as an indicator of time. The original brick structure is recreated in colored glass, referencing the tradition of stained glass used in sacred monuments dating back to the Umayyad dynasty. The colors of the 48-paneled glass structure are based on the visible light spectrum, which varies in wavelength across the day. As light permeates the colored glass, it transforms throughout the day, painting its surroundings with a rich interplay of color and light.

Farah Behbehani is also shortlisted for The Richard Mille Art Prize 2023 with the winner taking home a $60,000 cash award.

If you’re in Abu Dhabi anytime in the next couple of months, Art Here 2023 is running till February 18th, 2024.

Last year I visited Riyadh to check out the Noor Festival, the largest light art festival in the world. Noor means light in Arabic and last year they had 44 different light installations spread across Riyadh and some were really epic. This year the festival is going to be even bigger with over 80 artists invited to participate.

Monira Al Qadiri (@moniraism), the Kuwaiti visual artist whom I’ve previously featured on the blog before is one of the artists invited to take part in the festival this year which starts on November 30th and continue till December 16th.

Visiting the different light installations is free and finding them is easy using the festival app.

If you’ve never been to Riyadh it’s a fun road trip if you want to drive down. Any resident of Kuwait can also apply for a Saudi tourism eVisa no matter of your nationality. There is a lot to do in Riyadh in terms of things to see and restaurants to experience. Last year I went for one night only because there were a handful of light installations I wanted to see but it was really hectic and I wished I stayed a night longer. You can do it in just a night if you really want but two nights would be much better experience.

For more information on the festival, visit @noorriyadhfestival or riyadhart.sa/en/noor-riyadh

One of my favorite museums in Kuwait is the Tareq Rajab Museum. I always found the museum interesting since it was packed with a vast variety of objects covering many different subjects. They have an incredible collection of over 30,000 pieces many of which can’t be found anywhere else in the world. Over a year ago, the museum closed for renovations but they’re now finally reopening again tomorrow (Oct 17).

The museum was originally founded in 1980 by Tareq S. Rajab and his wife, Jehan S. Rajab. A couple of years ago their grandson Tareq N. Rajab took over the responsibility of the family museum and started the process of rejuvenating it. He originally started with the website and Instagram account, that was followed by the creation of the new Arms & Armor wing of the museum before being handed the rest of the museum to renovate.

Tareq invited me to visit the museum for a sneak peek and although before visiting I was worried it might have lost its charm with the renovation, I’m pleased to say it hasn’t.

At first glance, the museum’s aesthetics remain largely unchanged, but there have been significant improvements. The displays, previously overcrowded and lacking descriptions, have been completely revamped. They are now curated with clear descriptions for every item. There is also a new and HUGE diorama in the museum depicting the famous “Battle of Hattin”. The diorama is composed of 3,500 tiny soldiers that were hand painted individually by Tareq, his dad and three other colleagues over a period of 14 months. There was clearly a lot of time and passion involved in the museum renovation.

If you’re looking for an interesting place to visit then I can’t recommend this museum enough. The entrance fee is still only 2KD and it also gives you access to the “Tareq Rajab Museum of Islamic Calligraphy” that’s located in the same neighborhood.

The opening hours are:
Saturday to Thursday: 9AM – 1PM & 4:30PM – 8:30PM
Friday: 9AM – 1PM

The museum is in Jabriya and here is the location on Google Maps.

Found these vintage ANSI art relating to the 1990 Gulf War and thought they were super interesting. I use to love ANSI and ASCII art back in the day and if I remember correctly, my first digital porn image I had was a black and white ASCII drawing sometime back in the 80s which a friend had given to me on a 5.25 floppy. Source

Onus is a glass installation by Kuwaiti visual artist Monira Al Qadiri. I fell in love with it as soon as I saw the pictures and read the story behind it.

During the Gulf War, dead birds, fish, and animals regularly lined the coastline and deserts because of the massive toxic clouds fed by hundreds of torched oil wells. When images of these oil-drenched animals were shared in the news, many people thought they were fake and just propaganda. Monira learned of this misconception while she was studying at university in Japan and so Onus is her way of breathing life back into her memories by recreating these oil-drenched birds as glass objects.

If you’re in Berlin, Monira’s work is currently on display at the Koenig Galerie. If you want to see more of her work online, check out her Instagram @moniraism or website moniraalqadiri.com