Category: Design

White Fortress is a chalet located in Al Khiran and was designed by the local architects TAEP/AAP. I previously posted about two other chalets they designed and this one caught my interest because of the lighthouse-like structure that towers over the compound.

The architects designed the White Fortress with privacy and discretion as the main priorities of the project. The space is surrounded by tall, thick walls that offer protection from the harsh climate and arid surroundings, while providing a serene and inviting interior. The enclosure contains a series of patios and gardens, each assigned a distinct role, such as greeting, resting, or celebrating, to provide a variety of experiences.

Within the center of this “oasis,” a tall lighthouse-like structure creates a place for meditation and seclusion while providing endless panoramic views of the house gardens, the dunes, and the sea. The roof is also accessible from the tower, transforming into a contemplative walking space with an endless horizon view of the sea.

At first I wasn’t too sure about having the walls so high on both sides of the compound, but with neighbors popping up next door eventually, I think I can see the appeal of a fortress like structure. To see more work photos of this project, click here.

Pantone recently announced its Color of the Year—Mocha Mousse, a warm brown hue. Personally, I’m over brown and beige, which is why I love the new Matchbox eatery.

Matchbox just opened a new location at Sheikh Jaber Al Ahmed Cultural Centre (JACC) and it’s visually everything I want a place to look like, just full of color and packed with details. You’ve probably noticed from my recent design highlights that I’m over minimal design and far more into places like this, which feel cozier and more visually interesting.

The new Matchbox was collaborative effort put together between the Matchbox team and Studio Nama. The design was executed by Creative International and the photos were taken by Mohammad Ashkanani.

I love it. For more photos, click here.

When I was studying design in college, one of the yearly annual competitions we’d look forward to was the “50 Books | 50 Covers” competition by AIGA (The American Institute of Graphic Arts). This competition started in 1923 and became an annual staple in the design community so we were always pretty excited to see what covers and books they selected. A couple of days ago, AIGA announced the latest winners for their 50/50 awards, and this year a Kuwaiti designer was one of the winners.

Fahad Al Hunaif won Best Book Design of the Year for his exhibition catalog, “Going Dark: The Contemporary Figure at the Edge of Visibility” designed for the Guggenheim Museum. Fahad describes the 256-page book as capturing the concept of duality to align with the exhibition. The stark, black exterior contrasts an interior filled with generous white space and subtle material changes, highlighting the tension between invisibility and hypervisibility.

I’ve been a huge fan of Fahad’s work since back in 2013 when he was still in New York studying at Parsons School of Design. He got his first 15 seconds of fame after @caradelevingne was photographed wearing his profane Cartier parody cap, “Cuntier”. Cara was backstage at a Jeremy Scott Runway Show when the ultra-famous fashion photographer @terryrichardson snapped some pictures of her wearing the cap. The photo went viral and eventually landed Fahad in a bit of trouble after Cartier slapped him with a cease and desist letter. I posted about him back then and you can check that old post out here.

Today, Fahad is a partner at TB.D, a multidisciplinary design studio that has worked on branding projects like Boost, ODE, and RA. You can check them out at tbd.studio or visit AIGA Design to see more winners.

The Kuwait Pavilion at last year’s International Architecture Exhibition at the Venice Architecture Biennale was titled Rethinking Rethinking Kuwait (pictured above). The project was an ongoing investigation aimed at rectifying the effects of modernist urban planning, which led to the erasure of much of Kuwait’s historic built fabric.

That same pavilion has now been moved and reinstalled here in Kuwait. This is the first time this has happened; usually, if you miss the pavilion in Venice, you’re out of luck. But this year, they decided to pack up the exhibition and bring it to Kuwait, where it’s currently on display at the Yarmouk Cultural Center – Dar Al-Athar Al-Islamiyyah.

The pavilion examines Kuwait on a national scale, with a focus on Kuwait City as a prototype features over 30 Kuwaiti exhibitors.

If you’re interested in checking it out, it’s open daily from 10 AM to 7:30 PM, except on Fridays and Saturdays when it’s closed. For more information and photos head over to @rethinking.kuwait

The restaurant Select just opened its new location at The Avenues, designed by the Turkish-based studio Gulmen Interiors.

Gulmen wanted to evoke the charm of classic theater stages with their design. From the moment you walk in, you’re transported, forgetting the time and place. They blended Art Nouveau lines, plush velvet fabrics, distressed wood panels, and bold colors, to create a cinematic dining experience.

The style isn’t what I typically go for, but that’s what I love about it—it’s different. If you want to check it out in person, the new Select is located in the Grand Avenues, right next to the Cheesecake Factory. To check out more interior shots, click here.

Muneera is an independent cultural researcher and documentary photographer who for the past 4 years has been going around Kuwait documenting post-oil houses. Her account is filled with beautiful but decaying homes, that even in their current state still look better than a lot of the newer generic buildings that have been popping up over the past few decades.

When Muneera first started documenting these houses she didn’t have any preconceived ideas of them. Their odd structure compared to buildings around them stood out to her, and their futuristic design contrasted with their deteriorating condition raised a lot of questions about the past and present:

• What happened back then?
• Why do we decide to build our homes the way we do?
• What contributes to shaping our homes, neighborhoods, streets, and cities?
• What impact does that have on our environment and lived experience in those spaces?

She’s documenting and researching these houses as a way to answer some of these questions, and understand the value of these buildings while considering the wider issues related to land use in Kuwait.

I’m always fascinated with Kuwait’s past and its stories, so I really appreciate Muneera’s effort in capturing these beautiful homes before they disappear forever.

Muneera was also initially documenting baqalas so she could look into their disappearance and the culture around it. She had to stop though since it was taking too much time and decided to focus on the house for now. I actually didn’t really notice baqalas disappearing until she brought it up. My two favorite baqalas in my neighborhood closed down years ago, one turned into a bubble tea shop, the other into a Filipino bakery. They really might be disappearing.

Check out Muneera’s account @th9neighborhood for more photos—she’s captured many beautiful buildings.

I love these before and after shots taken by Nada Design Studio of a public walkway project they worked on.

The public walkway is located in the Behbehani Complex, next to the church in the city. Built in the 1940s, the complex always felt neglected to me, yet full of potential— which is why I love what they did.

To see more of their work, head over to @nada.designstudio

Although I mostly highlight villas and commercial spaces as part of my design highlight series, the AB Penthouse is a rare instance where an apartment stands out for its beautiful design.

Perched atop a building in Salmiya, the AB Penthouse was completed earlier this year, boasting a 320m² area and its own private pool. This stunning penthouse was designed by the local architecture and interior design studio fortytwelve, the same team behind the stylish Ode Eatery.

The space has a lot of beautiful moments but I think my favorite has to be the walk-in closet with the large window that overlooks the sea (pictured above). Check out all the photos from this project on the fortytwelve website.

Photos were taken by @mashkanani

Like the current waterfront project that extends from Kuwait Towers to the SVN resort, Shuwaikh Beach is also getting redeveloped as part of Kuwait Municipality’s ongoing efforts to enhance leisure and recreational spaces in Kuwait.

The project was designed by the multidisciplinary architecture firm Pace, and is sponsored by NBK. With the designs now finalized, the project has entered the tendering phase.

The 1.7km-long project will feature upgraded facilities, including a running track, bicycle track, mosques, and several main areas tailored to community needs like sports fields, recreational areas, and extensive green spaces.

Based on the renderings, one of the cool things I like about the Shuwaikh Beach project is that it looks like it will be a lot greener than the new waterfront near Kuwait Towers. The sandy beach area is also getting revamped, and wooden benches will be installed to provide a peaceful and comfortable coastal experience.

This project is expected to be completed by May 2025.

I’m a fan of minimal design, but I also appreciate spaces rich with complexity and decoration. Title’s third location at The Warehouse Mall was crafted by local design studio Lines, the same creative team behind the restaurants OFK and Piatti.

The mix of patterns, textures, and bold colors gives the space a surreal feel. The photos make the restaurant look like a set from a stop-motion film. According to Lines, their aim was to showcase a timeless design by combining elements from various cultures around the world, creating a unique and creative style. I think it worked.

If you want to see more photos of this Title location, or more of Lines work, head over to @lineskw

Is it me or does the interior of the newly reopened Jimmy’s smashed burger in Kuwait City look pretty similar to the popular London burger spot Supernova?

There is an Instagram account I find visually very interesting called @Dihrez. It’s run by a Kuwaiti designer fascinated in creating an alternate history for Kuwait, which is a subject I find very captivating.

I got in touch with the designer to find out why he started the account and what his story is. It turns out he works in the educational field, which is partly why he wants to stay anonymous for now.

Dihrez has always been interested in the concept of ‘alternate history’ in literary and artistic works. Similar to shows like ‘The Man in the High Castle,’ which is based on an alternate reality in which Germany wins World War II, or ‘For All Mankind,’ where the Russians were the first to land on the moon, Dihrez wanted to create an alternate reality for Kuwait.

The account is only two months old, so you can see how Dihrez is still figuring out the kind of content he wants to share and how it’s all evolving

In the beginning, for example, he started experimenting by creating visuals from old everyday life (1950s-1980s) and then adding imagined elements to them. The idea was to make the viewer feel that the scene is both familiar and unfamiliar at the same time. This feeling creates a momentary paradox and raises the question: Is this real?

Later, he started creating imaginary posters and ads. A few days ago, he began experimenting by taking popular old Kuwaiti photographs and animating them into short videos (the results are super cool). He uses a combination of techniques, including AI and his graphic design background, to create his work, resulting in pieces that are somewhat like collages.

You can see some of my favorites here, but definitely follow his account to see more of his work including his latest animated one @Dihrez

There are two parts to this design highlight, the first is the interior which was done by Studio Nesef, the second is the beautiful ceramic dinnerware and accessories which were produced by From Mud.

This is Tatami’s third location and my favorite design wise. The first thing that catches your attention is the large suspended Moon light pendant surrounded by intricate wooden joinery I’m assuming is inspired by the Japanese cidori system. The space is minimal but the use of natural materials like wood and rough stone help give the space a bit of warmth.

For the dinnerware and table accessories, Tatami commissioned the local ceramic design studio From Mud to create them (Full disclosure: the owner is my wife). All the items were hand built with a sculptural approach to tableware that was inspired by Japanese elements. For example, the table centre pieces are composed of three organic branch-like vases that intertwine, and are inspired by Japanese floral arrangements. The cutlery rests replicate the softness of rice cakes (mochi), while the taco and napkin holders were inspired by ‘Ma,’ the concept of highlighting the negative space around an object.

The new Tatami is located in The Gardens area of The Avenues. It’s a bit hidden only because you need to get off the main Phase 4 corridor and go up the escalators to get to the area. But, some of my favorite restaurants in The Avenues are located there including Midar and Em Sherif Cafe.

To check out more photos of Tatami by Studio Nesef, check this link. If you want to check Tatami out, their instagram is @tatamirestaurant

Last week a video popped up on my feed that I thought was fascinating. A guy called Hamad AlMuzaini (@hamad.muzaini) had spotted a little piece of architecture history at a scrap yard in Amghara, the Maison Bulle (Bubble House) by French modernist architect, Jean-Benjamin Maneval.

The Bubble House which was conceived in 1963 is considered to be one of the most successful designs for “futuristic plastic houses“. Only 300 of these prefab homes were ever built and so it’s pretty incredible that not only did one end up in Kuwait, but the fact that it survived and is in fairly decent condition is a miracle.

Hamad is an architect and designer who lived and worked in the US for roughly 13 years. Most of his work experience revolved around modular and prefabricated construction, which is why when he spotted the Bubble House roughly two years ago, he immediately recognized that it was a novel system and had immense value. But, Hamad only realized recently what he had spotted when an account he follows posted a similar Bubble House. So Hamad went back to Amghara and called the number of the scrapyard asking if it was for sale. From there he purchased the house and started planning its relocation.

Most of the images online consistently depicted the Bubble House set against nature, making a really beautiful composition of something quite futuristic. So he decided to move the Bubble House out of the scrap yard and onto his family’s farm.

Currently Hamad is focusing his efforts on restoring the structure without permanent and damaging procedures. He wants to restore it as close to the original as possible but without an interior layout, leaving it as an open floor plan. He hopes to one day host events with some community engagement surrounding the Maison Bulle, but for now his focus is to restore it.

How the Bubble House ended up in Kuwait in the first place is still a mystery, but at least it’s in good hands right now.

The Northern Salmiya Building is located in the old Salmiya souk on Salem Mubarak Street. It’s over 50 years old, and since I grew up down the street from it, I’ve seen so many shops come and go there.

It’s the same complex that used to house Kids’r’us (Alghanim Automotive before that) and it’s the same building that had the old National/Panasonic store that used to have the NeoGeo in the window display. The corner shop was Boushahri where everyone used to go to get their passport photos taken. Mogahwi was also located there, the first Alshaya stores also all opened there including The Bodyshop, BHS, Mothercare and Next.

The building was also designed by SSH over 50 years ago, the same firm that’s behind JACC, ASCC and the waterfront project.

Recently, the corner of the building was demolished, and a tower was built in its place. It sucks that they demolished part of the building, but now that the tower is up it’s actually not that bad and I’m glad at least that they didn’t demolish the whole thing. What’s great is that they’ve also gone ahead and refurbished the rest of the building with a fresh coat of paint, new lights and even had some oversized signages for some of the stores removed.

The building is looking pretty good now, and I wish more old buildings got refurbished as well. And I don’t mean Dasman Complex style refurbishing where they’re just horribly covering the whole building facade with Alucobond.

If you haven’t been to old salmiya recently you should, it’s really popping. Google Maps

Update: Just found a photo in my archive of the Northern Salmiya Building under construction