I am writing this in the simplest terms possible (and not in legal jargon) because I want to make the law simple and understandable by all.
Here is a simple guide to calculating your termination indemnity (for private sector employees):
Payment Method
Who terminated the contract
Years Worked
Days Paid
monthly
you were terminated
Less than 5 years
15 days per year
monthly
you were terminated
more than 5 years
one month per year
monthly
you terminated the contract
3 to 5 years
1/2 of 15 days per year
monthly
you terminated the contract
5 to 10 years
2/3 of one month per year
monthly
you terminated the contract
more than 10 years
one month per year
daily or weekly
you were terminated
Less than 5 years
10 days per year
daily or weekly
you were terminated
more than 5 years
15 days per year
daily or weekly
you terminated the contract
3 to 5 years
1/2 of 10 days per year
daily or weekly
you terminated the contract
5 to 10 years
2/3 of 15 days per year
daily or weekly
you terminated the contract
more than 10 years
15 days per year
Please note the following:
– You are being paid by days. Your end of service is an x amount of working days. So it is important how to calculate how much your day is worth. For those paid on a monthly basis you divide your salary by 26 even if you only work 20 days a month (unless your policies and regulations at work are different, giving you less working days a month)
– If you are Kuwaiti, you still deserve end of service benefits, but your social security amounts accured towards your company will be deducted.
– You have one year since the day you leave work to ask for your end of service benefits.
– If you are ending the contract then I am assuming you have an indefinite contract
If you are having any issues with your employer, please email me [email protected]. I have made a promise to myself to personally get back to everyone within 24 hours (unless it is the weekend)!
Post by Fajer Ahmed – Legal Counsel The legal opinions expressed in this post are those of the author Fajer. Opinions expressed by Mark or any other writer on mark248am1.wpenginepowered.com are those of the individual’s and in no way reflect Fajer’s opinion.
If you missed the opening event of the Sheikh Jaber Al Ahmad Cultural Centre yesterday, you can now watch it on YouTube. It’s 2 hours long and features dancing, comedy and music including a performance by Andrea Bocelli.
Sadly it’s not in HD and the aspect ratio of the video is squished hence why Bocelli looks really skinny in the picture above (come on KTV, get your act together). If you want to skip to the Andrea Bocelli part, his performance starts at the 1 hour 43 minute mark. [YouTube]
It’s been awhile since I’ve posted a list of active local blogs so figured it was about time I do so. Below is a list of all the active blogs I”m aware of:
What do you get when you put the guys from Radiohead in a gahwa, in Salmiya, watching the old Star Wars movies, drinking guava nectar instead of tea? This could take a while, but for the sake of this post, I’ll give you the answer; Galaxy Juice. That’s exactly the feeling I get when I listen to their new release single “Allokation” off of their new album Timenesia which will be released Nov 1st .
Back to my opening question, can you see it? I mean, how does one make Galaxy Juice? Aren’t you just a little bit curious? I was. So I paid them a little visit.
Before Timenasia, there was Crystal Dunes. The story of the making of Crystal Dunes is one that plays right into last week’s post, where I talked about the difficulties artists face in trying to “make it” in the music industry in Kuwait. When Crystal Dunes was made, naturally, these guys wanted to print copies – to sell, to give out, to use as coasters or whatever else – you get the idea. But when they approached record companies here, they were told they could only print a minimum of 1000 copies. At the time, the band didn’t feel like they had the kind of demand that would require that quantity and tried to negotiate them down to about half that, but even then, the prices they were getting were obnoxious. So, the next logical step; print it outside of Kuwait – to the U.S. they went. There, they found a printing company that kept their overheads nice and low, where they were able to print 100 copies. Perfect.
Back in Kuwait, when their order arrived, and as Mohammad Al Owaisi, (Drums & Synthesizers), tells it; he’d receive online notifications that his “package has arrived” but is being… you guessed it, “held at customs”. This “hold” starts feeling more like a “keep”, and so, he heads to the Customs Department at the airport. Now, before they could get into the details of “what’s the hold up?” they first had to locate this package. And so the search begins for this box, in a room full of other boxes, in a back office in the back of this office – they never find it. They hand him a note that basically states; because of the contents of the shipment, the package has been sent for inspection, please follow up with the Office of the Ministry of Information. Still on airport premises, he makes his way to the temporary “chinko” structure that is the Office of the Ministry of Information, far out into the horizon, off the path. As he stood in a room full of more boxes waiting to talk to someone, his eye catches his box. Finally! And, as though the universe and the stars were finally aligning, a man appeared from the back. They spend a couple of minutes talking about the box, the contents of the box, the quantity of the contents of the box, the motives behind the contents of the box, all the while Mohammad trying to explain that these CD’s are for distribution purposes only, and not intended for sale. Nevertheless, it’s a no go. With one copy of Crystal Dunes in hand, he’s redirected to the Ministry of Information HQ in Shuwaikh.
Day 2, Ministry of Information HQ. Like a sad song on replay, Mohammad goes through the saga of explaining; we’re a band, we make music, we wanted to share our music, we like CD’s, we wanted to give people CD’s. “So, is it just music, or do you sing?” the lady asks. “We sing”. “Yeah, we’re going to need to see those lyrics. Can you email them to me?” Mohammad goes home and emails her the lyrics.
Day 3, Ministry of Information HQ. He heads right back to the same lady, the only released copy of Crystal Dunes still in its plastic wrapper sits on her desk, unopened. The lyrics pass the censorship requirements. It’s a go! But, not until he is made to sign a memorandum of understanding, (ta3ahud), somewhere between an apology and a promise to never do that again ie. bring in products with the intent to sell or distribute. Approval letter signed and stamped, he heads back to the customs office at the airport, ready to finally take his babies home.
But, back to the ta3ahud for a minute. I’d understand if their only concern were that of a commercial nature, but they seem to also have a problem with just plain distribution. Why is that? Is it because they’re afraid that with enough of a following, a band has the potential to create propaganda? Or, maybe they don’t want to bring outside competition inside Kuwait’s market? I mean, let’s face it, Kuwait loves to play Monopoly. But, wait, this gets tragically better. Turns out, ALL members of Galaxy Juice are Kuwaiti citizens, all working government jobs and in essence, these Kuwaiti artists made a project in Kuwait, and tried to promote it, also in Kuwait, by giving it away, and couldn’t. In their own hometown, they couldn’t. I wondered if maybe their music had been more “Kuwaiti”, if that would’ve cut the number of hoops they would’ve had to jump through; that their music being difficult to categorize made it so it required all that extra screening. And so I investigated.
Band Members
Salem Al Salem – Lead Vocals, Guitar (Job-Accountant)
Mohammad Al Owaisi – Drums, synthesizers (Job-Mechanical Engineer)
Abdula Asem: Bass (Job-Marine Biologist)
Bader Al Salem: Drum machines, Sampler
In listening to their work, I found many elements of Kuwaiti music – an alternative rock vibe that seamlessly goes into a rhythm, or a clap, or a scale which would immediately be recognized as Arabic, or even specifically Kuwaiti. In their live show from last spring of this year at Shaheed park, they stopped mid-song to go into a full on traditional Kuwaiti clapping session, Sharbeka. So, clearly, their work is a fusion, but what I’m more interested in is, are they innovating? Are they on the brink of innovation? That begs the question, when does one know when a band is doing Kuwaiti Rock? Or, Arab Rock? When or where are the lines? Do these lines exist? Or is it up to us to create them? Listen to it and tell me what you think. You could be thinking, well, Amin, Rock is Rock. My answer to that is, there was a time when there was American Rock n’ Roll, and British Rock n’ Roll, and although distinct in their sound, they were still considered Rock n’ Roll. It’s not like British Rock had distinct British hymns or maritime stories incorporated in it, it just had a different take on an American Rock n’ Roll. Over time, and with the gaining popularity of the likes of The Beatles and The Rolling Stones, British and American Rock n’ Roll meshed into one. But, there was a time when there was a division, and it was a division by geographical location. So, back to Kuwait and the possibility of music innovation, how would we recognize it? How would we recognize the emergence of Kuwaiti Rock? If it’s even possible. I know that in this coming season, many artists will be experimenting with Arabic, even Kuwaiti elements in their music, and the lines are going to start to get even more blurry. Do we call it “Kuwaiti Pop Music”? But it’s not. Do we call it “Kuwaiti Urban Music”? What are the rules? I’m sure an Ethnomusicologist could answer this quite simply, but I think we’re at a time where the lines are already blurry for artists trying to incorporate some of their roots into their work. Here is a specific part of Crystal Dunes where you can see a clear integration.
When I listen to Galaxy Juice it makes me think; are they making music for our time? There album is called Timenesia, and is somehow of the past, the future, of here and of other places. It’s like they’re this Rock group, experimenting with music of somewhere that is not of here, almost like they’re playing for outer space. With a name like Galaxy Juice, it all makes sense.
Post by Amin FARI Are you a musician looking to perform? On the flipside, are you a host looking for musicians to book? Or maybe you’ve just got an awesome idea you’d like to share? Get in touch [email protected] / Instagram: @xxmrfarixx
The guys from MyFatoorah got in touch with me back in August, they were interested in advertising on the blog and they also wanted me to try out their product so I could review it. Like I tell all my advertisers, I can’t promise you I’ll write about your product, but if I try it and like it then I probably will. After trying their service not only do I like it, but its now become one of the primary ways my clients are paying me. Just to be clear, this isn’t a sponsored post. Not that I need to explain myself but it’s one of the rare occasions I’m writing about a product which is currently being advertised on my blog with a banner, so I just need to point this out for transparency reasons.
MyFatoorah is an online payment solution and I’ve been using them to collect payments from my blog advertisers and from my clients whom I do freelance branding work for. Previously, the methods of payments I had available were bank transfer, cash or cheque but now I also offer knet or credit card payments because of MyFatoorah.
To begin using their service, the first thing I had to do was download the MyFatoorah app, sign up and add my bank information and that was it. No need to wait for approval, no need to send a copy of my civil id or anything of the sort, you can start invoicing people and collecting payments right away. Within the first 3 days I had invoiced and collected payments from 5 different people and the amounts got deposited straight into my bank account in less than 24 hours.
To invoice people its a fairly simple process, you open the app, click on “Quick Invoice” then you enter the name of the person you’re invoicing and the amount. You then click “Send Invoice” and you could either whatsapp or SMS the person the payment link. That’s it. All that person needs to do then is click the link you sent them and settle the invoice either by Knet or a credit card.
The service isn’t free, MyFatoorah make their money by charging a transaction fee. Their standard charges are 2% for Knet payments and 3.5% for credit cards, this means if you bill a client KD100, MyFatoorah will take KD2 if the client pays using Knet. The charges are negotiable though, for example I’m getting a ridiculously good rate cuz wasta, but depending on how much business you’re expecting to perform, you could contact them and try to work out a better rate. The way I also have it set up is, if a client pays me with Knet, I accept the charges, but if the client wants to pay using a credit card, they’ll have to pay the 2.5% charge. I like being able to decide that from within the app.
Now another surprising way I’ve started using MyFatoorah is collecting money from friends or family. So for example I bought some event tickets a few weeks back and sent out knet links to my friends to pay me for their tickets. My brother needed to transfer me some money and instead of setting me up as a new beneficiary on his online banking account, I just sent him an invoice for the amount and I got the money that way. It kind of reminded me of the app Venmo. When I was in the States last summer, everyone was using Venmo to pay each other. If a person bought movie tickets for everyone, then the group would pay that person via Venmo and I’ve been using MyFatoorah like that as well.
One final way I’m going to start using MyFatoorah is with a donate button on the blog. I’ve always kinda wanted to do that ever since I started blogging since it was a fairly common thing in the early days of blogging. But since I lived in Kuwait, there wasn’t a way to do that previously. Now I finally can although I’m like a decade late. Basically MyFatoorah allows me to setup a generic payment link which anybody can click on and pay me whatever amount they’d like. So if you want to donate money for my lattes for life fund, here is the [Link]
There are a couple of features I’d like to see in MyFatoorah that are currently missing. One feature is the ability to copy paste the payment link from within the app to an email. Right now the only two options I have to send an invoice is SMS or Whatsapp. To send a link to a client by email, I need to choose Whatsapp as an option, then when the link opens up in Whatsapp, I copy paste it back into an email. There will supposedly be an option to copy paste the link in the next app update, but as of now this is what I am doing. Another feature I’d like to see is the ability to setup an automated reminder email or message. Right now if someone doesn’t pay me, I need to awkwardly message them and be like “hey, how are you? Hope everything is well. I just wanted to remind you regarding the pending payment…”. I hate doing that so I’d like the app to send an automated reminder on my behalf say once every week to remind the person they have a pending payment. Like an annoying accountant.
So yeah I like the app as you can see. It’s great for freelancers and small businesses like me. The software has other features like the ability to integrate into your ecommerce store like Shopify or Magento, but I’ve personally been using it just to collect money from people. So if you’re interested in signing up, you can do so from their website or just download the app on your iPhone or Android device.
We wanted to take advantage of the sponsored posts to reach out and give you guys a walk through our website, www.moqawalat.com.
The website aims to give people access to professionals that can solve their contracting needs, and, make the whole contracting process a bit less of the struggle than it already is. We have a little over 500 companies across different categories registered right now, hopefully all with the aim of giving people a bit more power and reach.
With the permission of one of our users, we’ll use their project as an example of how the process works. To kick start a project, click on the request quotations tab where you’ll be required to input your projects detail as in the image below. In this case, the user wanted to install security cameras, and used the space in “Other Info” to add some details to the request. In this case, the user needed 10 security cameras with the ability to record up to 3 months with night vision.
Once submitted, all contractors in the category (“security systems and camera” in this example} will be notified of your new request for free. If you’re curious, they’ll be notified by email and through the moqawalat website. To get more eyeballs on your project, you can feature it on the website, and/or send an SMS to all relevant contractors with your request for 10KD each. The SMS notification in particular has proven to be pretty effective if your goal is to get as many quotes as possible. Rest assured though, you will still be reaching everyone needed if you opt to not pay anything.
Now that the contractors are notified, you will start to receive some quotes. Depending on the details you have provided in your original request, some will be able to give you a quote right away as you can see in the picture above, while others will want further details.
To give further details (or bargain), you can use the website itself to message the contractor and upload additional pictures or layouts if needed.
Hopefully once you’re done with all that, you’ll have found your contractor and agreed on a fix for your problem. Admittedly, the process itself has not been perfected yet as we keep on refining, but it certainly works and hopefully offers a slight improvement on how things are currently done.
One final but key point, several users have complained about finding their registration emails landing in their spam folders, so if you’re going through the sign up process make sure to check your spam folder while we try to figure this out (Sorry!).
If you face any problems using the website or want to get in touch, leave a comment otherwise here’s where you can find us –
Cell: +965 90094055
Email: [email protected]
Twitter: @moqawalat
Instagram: @moqawalatkw
Website: www.moqawalat.com
A bunch of things taking place this weekend. The only one I’ll probably be going to is the Revive.Nine Popup thats taking place at the new Elevation Burger in AlSeif since I’m curious to see their new outdoor events space. Check out all of this weekends events below and if I missed anything let me know:
So usually before I actually sit down and write a post I start writing it in my head. I visualize everything and then I just sit down and type it out. So today I had the perfect plan, there is a new place that was serving matcha drinks and ice cream at the Mishref Coop. So I started planning my post in my head and decided I would pass by today, take a few shots, try out the ice cream and then come back home and write about it.
That plan turned out to be a complete fail since the matcha place turned out to be a popup and they had already left the Mishref location. But, since it’s a slow news day and this was going to be my second post for today, I decided I’m still going to go ahead and post it since it would still be informative.
The matcha place is called Matchadose and they serve a variety of matcha drinks and ice cream. As I mentioned they’re a popup so they move around from location to location. They should be announcing their next location soon so if you’re into matcha then you should check out their instagram account for updates @matchadose
Update: They’ll be popping up next at AUK on October 16th.
Kuwait is participating at the 2016 Venice Architecture Biennale which is the largest architecture show in the world. The Kuwait Pavilion is called ‘Between East & West: A Gulf’.
I had seen photos of the Kuwait Pavilion exhibit over the summer but didn’t post about it since I had difficulty understanding the exhibit myself and so would have trouble writing about it. But one of the architects involved in the project recently sent me the video above which made things a lot clearer so I decided to share it on my blog. If you can’t hear the audio in the video because you’re at work, here is the project description from their website:
Hundreds of islands dot the waters between the Arabian and Persian shores. An afterthought in the political maneuverings of their respective coasts, these islands tell an alternative narrative to the one which drives conceptions of the region. They represent a possibility greater than spaces of political contestation and hesitant demarcation. These islands are the sites of identity in formation, places of experimentation and architectural invention. Their historical roles were as varied as places of leisure, spirituality, planning, war, exile, and health. The island is an entity both isolated but also crucially connected through the waters of the Gulf, and thus not an exception to the national but the rule which defines it.
This year’s Kuwaiti pavilion looks beyond the shores of the country and argues in favor of a masterplan for a united Gulf. By presenting the untold history of the region and proposing an alternate future, the pavilion casts the hydrography as a singular entity of neither East nor West, but as an untapped archipelago which defined the region and offers the greatest possibility for its reconciliation.
What is unique about this exhibit is that it was conceived and executed by a fairly small and young team of architecture students and recent graduates. Here is a list of everyone that was involved and you can find their full bio on the pavilion website:
Commissioners: Zahra Ali Baba – National Council for Culture Arts and Letters / Kuwait (NCCAL) Curators: Hamed Bukhamseen, Ali Karimi Art Director / Graphic Designer: Fahad Alhunaif Publication Coordinator / Editor: Muneerah Alrabe Project Designers and Research Architects: Saphiya Abu Almaati, Shahab Albahar, Mai Albusairi, Nada Alqallaf, Rawan Alsaffar, Yousef Awaad Hussein Financial Team: Mohammed Al Ajmi, Mohammed Al Jameel Administrative Team: Abdullah Albeeshi (Head of team), Noora Al Musallam, Jaber Al Qallaf, Jassim Al Shamali.
The 2016 Venice Architecture Biennale opened up this past May and is running until November 27th. For more information and photos on the project, check out the Kuwait Pavilion website [Here]
So, last week we talked about the different venues around town where you’ll likely find music-centric events beginning to pop up as the season gets back into gear. The week before that we talked about birds a lot, but mostly only to highlight the local music releases which took place over the summer when said birds take time off from live performances to work on creating, producing and ultimately releasing new material. That’s also where I did the “it’s not ‘me’, it’s ‘you’” speech and asked you to go out and be part of the local music industry, and the fact that if a music industry were to not only exist in Kuwait, but thrive, it is only if the fans were to reciprocate. That brings us to this week.
This week I’d like to expand on that idea, to provide a more realistic approach to how you, the fans, can help start archiving this reality. Enter, #KuwaitMusicScene. What I would like to see happen with this hashtag is for people to start using it to tag any of their pictures/posts on social media that have to do with music in Kuwait, or musicians in Kuwait. That way, whether a fan or a musician new to the scene, all they’d have to do is look through the hashtag results and can get a pretty good idea of what our music scene has got going on. Although there have been other hashtags floating around in support of the local music scene, #SupportLocalMusic is a good example, #SupportLocalArtists is another, the problem these hashtags pose is that they’re too broad a spectrum. Yes, you’ll find artists from Kuwait, but you’ll also find artists from all over the world – everyone is ‘Local’ to someone. What using the word ‘Kuwait’ does is filter through all the ‘locals’ to bring you those local to Kuwait. It also means it increases our chances of, let’s say, someone looking up #KuwaitCars, to stumble upon #KuwaitMusicScene. It’s easy to get lost in the crowd, so this is our way of making sure we stick out. Now, lest we find ourselves with videos of exchange students documenting their homesickness and new-found love of Kuwaiti music, let’s lay some hashtag ground rules.
Rule no.1 – Only use #KuwaitMusicScene if an artist is performing in Kuwait; so not a musician from Kuwait, but rather in Kuwait. To put it simply, it is not your nationality that matters, but where your GPS locator says you are. This will help us create a musical archive of what’s going on here, in this time, in this space. Now, there’s actually a lot of space in this hashtag for inclusion. For starters, DJ’s – I do believe DJ’s should be included. I also believe local radio show hosts talking about music should be included because both of those still represent music action in Kuwait. The aim is to make this archive as big and as comprehensive as possible, and to show that there are big enough numbers to create a sustainable industry.
Rule no. 2 – #KuwaitMusicScene applies to more than just events open to the public. A lot goes on behind the scenes in the music industry; from rehearsals and jam sessions, to that one time the artist found the perfect spot in the hallway with killer acoustics and thought it necessary to document it on YouTube – hashtag it all. But, just like rule no. 1, let’s keep this within the borders of Kuwait. This is not a “You can’t sit with us” stance, but an attempt at keeping this archive consistent, and therefore relevant. So, I’m trusting you musicians with this responsibility.
So, if you’re an artist, take a moment and go back to your Instagram and Facebook posts and edit them to include the #KuwaitMusicScene hashtag. If you’re a fan, and maybe remember catching a live performance in the middle of the desert one time, look it up, hashtag it, and help us build this industry. Now here’s the part that’s even better, this doesn’t only go to serve “us”, the musicians and the fans, but event-organizers and event-promoters can benefit from this hashtag when it comes time to market shows which feature some aspect of local music. That way, by the time you get to your weekend, and are looking to see what music is out there, or which musicians are performing, all you’d have to do is look up #KuwaitMusicScene and that would hopefully generate a pretty good, up-to-date response for you to sift through.
Here is a good example of A Lebanese musician that performs and records his blues music in Kuwait.
Now that I’ve laid out my hypothesis, it’s time to experiment. The end of this month, October 28th to be precise, brings us one of the coolest music events of the season – brought to us by Kuwait Rising, hosted by Zahed Sultan with the support of Red Bull, it will feature incredible artists for all over the Middle East. So, if you attend this event, which I absolutely think you should, please take the opportunity to use the #KuwaitMusicScene hashtag along with, what I’m sure is already an existing hashtag, #KuwaitRising.
And, finally, just in case you missed it, Dar Al-athar has already started their music season, and just last week hosted an Arabic-style Flaminco event. If you were there, and have some pictures or videos you plan to share, or have already shared, I ask that you take the time to hashtag them, as well.
Also they have an open call for musicians check their instagram @dai_kuwait and the following [Link]
If anyone out there has a better idea or a more constructive perspective on hashtags in the social media world, please comment below and share your thoughts.
Peace, Love and Music
Post by Amin FARI Are you a musician looking to perform? On the flipside, are you a host looking for musicians to book? Or maybe you’ve just got an awesome idea you’d like to share? Get in touch [email protected] / Instagram: @xxmrfarixx
I’ve never retracted a review since I started blogging over a decade ago. The most I’ve done was go back to a review and add a little note at the bottom mentioning what has changed about the place and thats about it. But, the amount of backlash I’ve gotten over my review of the US forwarding mailbox service Edfa3ly has been like no other which has made me consider retracting my original review. But I won’t and here is why.
Back in August I posted about how Edfa3ly was the cheapest way to ship lightweight packages from the States to Kuwait. Some of the advantages were the fact that they charged per 100grams, that you wouldn’t pay any US sales tax and you wouldn’t pay any local customs clearance fee. I had ordered an item from Amazon and had just paid around 500fils to have it shipped to me and it took 10 days to arrive. Two days later I posted a coupon that my readers could use to waive the international shipping fee and thats when things started going downhill.
First sign of trouble was when a reader left a message saying that once the package arrived to Kuwait he had to pay KD2 to have it delivered to his door and that he also had to pay KD5 for custom clearance. Then two more readers left messages stating the same thing. That turned out to be a temporary fuck up on Edfa3ly part but they fixed the issue.
More signs of trouble kept coming in though. A lot of readers were complaining that they couldn’t get hold of customer support. Some spent days trying to get a hold of someone to no avail. It seems people had more luck getting a response back from Edfa3ly by leaving a comment on the blog then trying to reach support through the proper channels.
Another problem was also brought to my attention. I had originally stated that you wouldn’t have to pay any US sales tax but Edfa3ly changed their policy and started charging a US sales tax. I also posted packages would take around 10 days to be delivered since thats how long it had taken mine to arrive but people started complaining how shipping was taking over 3 weeks with many going missing.
I couldn’t retract or update the review without trying the service out again myself, so I placed an order for another cheap lightweight item, a USB charging cable for my Game Boy Advance. These were the charges:
Item order was placed on September 9, it arrived in my mailbox September 19, it then shipped out on September 23 and I finally got it October 6. So I ended up paying around KD1 to have the item delivered to me in Kuwait and it took 17 days to be delivered to me after shipping from the States. Thats not bad, it wasn’t an important item so I wasn’t in a rush and shipping was still much cheaper than the alternatives. If I had ordered using PostaPlus, the same item would have cost me at least KD3.5 to have it delivered to Kuwait while with Aramex it would have cost me KD4.25. Now true I had used a free shipping coupon with this order but it seems they constantly have a free shipping coupon listed on their website. One confusing aspect is why they marked my package as weighing 500grams when the item weighs just 25grams as you can see in the picture above. But since I had the coupon for free shipping I didn’t care or contact them to find out. If I was paying for shipping I would have definitely made an issue about this.
Now one final comparison. In my original review I posted a breakdown of how much it cost me to ship a Nikon Rubber Eyecup for my camera from Amazon (pictured above). The breakdown was as follows:
If I was to place the exact same order today and not use a free shipping coupon, the breakdown would be as following:
Item Price $10.4 (it’s 30cents cheaper now on Amazon)
Sales Tax Inside US: $0.73
Customs Fee: $0.56
Edfa3ly Fees: $0.1
Clearance Fees: $3.32
International shipping fees: $1.33
Total Price: $16.43
So while previously it cost me $2.41 on top of the item to have it shipped to Kuwait, this time around it would have cost me $6.03 which clearly isn’t as cheap but still cheaper than PostaPlus or Aramex.
So will I continue to use Edfa3ly? Yes like I have been… for really cheap small and light items that wouldn’t be worth shipping with PostaPlus or Aramex. They’re also items I don’t need urgently. For everything else I’ll continue to use PostaPlus like I have been doing. Someone emailed me telling me they ordered a Kindle with Edfa3ly, I personally wouldn’t order a Kindle with Edfa3ly. It’s more reliable to order a Kindle to my PostaPlus account and PostaPlus would also most likely be cheaper. People tend to skim through my posts no matter how short or long they are. I only recommended Edfa3ly specificaly for “tiny cheap stuff”, packages that weigh under 1/2kg. Look at what I ordered as a perfect example, a rubber eye cup for my camera that costs $10 and a tiny custom USB cable for my Game Boy that cost $5. I didn’t order a MacBook or an Xbox.
I will be placing an update under my original review mentioning the fact they now charge a US sales tax and a clearance fee, but I will not be retracting my original post since I still stand with what I originally stated. Edfa3ly are the cheapest way to ship light packages from the US to Kuwait. They are just no longer as cheap as they originally were.
UPDATE: There have been major changes to the service since this post. Edfa3ly are no longer the cheapest option to ship, they no longer charge by the 100grams and they are now more expensive than PostaPlus so I have retracted my review.
The second Five Guys location in Kuwait is going to open in Salmiya on Salem Mubarek Street, opposite Galleria 2000 [Map]. This means that strip of street will now have the following burger places:
BGR The Burger Joint
Fat Burger
Five Guys
Johnny Rockets
Shake Shack
Smash Burger
Steak & Shake
The only franchise thats missing on that street now is Elevation Burger.
