Category: 50s to 90s

I came across these images of the Kuwait National Assembly by accident. I had recommended a friend buy a book called “Jørn Utzon Logbook Vol. IV: Kuwait National Assembly“, which covers its construction but she told me it was sold out. I started searching for a copy for her online when I stumbled across images of the National Assembly I hadn’t seen before, not even in his book on the project.

If you aren’t familiar, the Kuwait National Assembly was designed by Danish architect Jørn Utzon, the same architect behind the iconic Sydney Opera House. His design was well thought out. He organized the main building complex in a way inspired by traditional Arabian bazaars. All the departments (offices, meeting rooms, reception areas, the library, Assembly Hall, and more) are arranged along a central street, similar to the layout of a bazaar. Each department is made up of modules of varying sizes built around small patios or courtyards, all connected to the central street by side alleys. The complex was designed to be expandable at any time by adding new modules, allowing it to grow outward continuously similar to bazaars.

The canopy, or tent-like shade at the entrance that gives the building its distinctive look, came to him after seeing a photo of two Arabs fishing on the shore under a small sail from their boat. The sail was stretched between two poles with a beam across the top, creating a simple shaded area. He loved the way the shadow looked and thought it would be a beautiful idea to use in the building.

Jørn’s Logbook Vol. IV focuses on the Kuwait National Assembly project and includes behind-the-scenes documents, original drawings, stories, and photos of the construction. It was published in 2008, and copies were still available as recently as 2019, but they seem to have sold out since then.

Majority of the photos I’ve shared in this post were taken from the Utzon Archive, the rest are from my copy of the book. If you want to check them all out and get access to the hi-res images, click here.

The photo above is the one I think inspired him since it was included inside his book.

The video above is also from their archive, I like it because if you forward around 2 minutes in you get to see a full 360 of the city from above. I think the video was shot from the old Kuwait Airways building.

© Utzon Archives / Aalborg University & Utzon Center.

I just read that the legendary Brazilian photographer Sebastião Salgado has sadly passed away. He was widely regarded as one of the greatest documentary photographers of our time.

In 1991, just after the Gulf War, Salgado documented one of the most devastating environmental disasters of the 20th century, the oil fires. His powerful black-and-white photographs of firefighters battling huge flames and smoke-filled skies. became iconic and captured the true cost of the war.

The images he captured in Kuwait continue to define how the world remembers the impact of the Gulf War. He published a book featuring those photos titled Kuwait: A Desert on Fire. To explore more of his work, visit his Instagram @sebastiaosalgadooficial.

Found this driving license from 1961 for sale. It’s number 2061, I wonder if that means there were only 2000 drivers on the roads back then?

This is the last batch of photos from Ian Caldwell’s family collection.

If you missed the previous two posts, Ian was born in Ahmadi in 1955 and lived in Kuwait until 1975. He’s scanned over 300 Kuwait-related photos from his family’s archive, which he’s kindly given me permission to share.

This final batch of photos isn’t categorized, other than being random scenes from around Kuwait taken in the 70s.

I really like the shot of the phone booth in the middle of the nowhere, it’s really weird, which is why I had Ian send me the original scan so I could print it out and frame it. Another favorite is the main image I used of the baqala, which looks like a scene straight out of a Western movie.

You’ll also find a couple of photos of the Kuwait Towers and Gulf Road while they were still under construction, and one of Seif Palace with the original telecommunications building going up in the background.

There are also some really odd ones I’ll let you discover for yourself. Link

This is the second batch of photos from Ian Caldwell’s collection, and there is one more batch I’ll be sharing after this post.

Ian was born in Magwa Hospital in Ahmadi in 1955 and lived in Kuwait until 1975. He’s scanned over 300 Kuwait-related photos from his family’s collection, which he’s kindly given me permission to share. Last month I posted photos of Souk Mubarakiya and Fahaheel Market from his archive, this time, I’m sharing photos taken over various weekends and holidays between the late 60s and early 70s.

The photos were taken by Ian, his father Arthur, and his younger brother Tom.

I could only share 20 photos on my Instagram account, but since you guys check the blog you get to see all the photos which amount to 121. To check them out, click here.

Ian Caldwell was born in Magwa Hospital in Ahmadi in 1955 and lived in Kuwait until 1975. A couple of years ago, he pulled out boxes from his father’s loft filled with about 1,500 old slides, including many from Kuwait. He started scanning the ones related to Kuwait, ending up with about 300 photos that had never been seen before.

The photos were taken by Ian, his father Arthur, and his younger brother Tom. I’ll be sharing as much as I can from their collection, and I’ve started organizing them into groups based on different topics.

The first ones I’m sharing are photos taken of Souk Mubarakiya and the Souk in Fahaheel sometime in the early 70s.

To check out the photos, click here.

Ghazi Sultan (1941–2007) was a Kuwaiti architect and urban planner. He was regarded as one of the key figures in Kuwait’s modernization and is best known for the Gulf Road waterfront project, including Green Island. The project also included a number of smaller artificial islands along the coast with my favorite being Turtle Island (Google Maps).

Turtle Island is a small artificial island located behind the Italian restaurant Johnny Carino’s. It has a children’s play area featuring a giant fish structure in the middle, while the rest of the island is filled with large turtle sculptures.

Part of the Ghazi Sultan photography archive includes photos he took when the project was completed. Although the photos aren’t dated, I’d assume they were taken in the late 80s. The island looked so different back then compared to today!

First off, what happened to all the colors? The island used to be so much more vibrant — a bright orange frame structure, colorful toys, and the giant fish even had a crawl space for kids. Even the turtles that surround the island were painted olive green with brown accents. Today, the island feels monotone. The orange frame is now white, the fish lost its crawl space and just looks like a grey blob, and the colorful toys were swapped out for dark red ones that are now in bad shape. As for the turtles, they’re now just dull grey concrete color.

To find out more about Ghazi Sultan, visit ghazisultan.com or @ghazihamadsultan

I’m always incredibly jealous of the kinds of photos Bader Alshaiji (@badshaiji) has access to. Thankfully, he loves sharing as much as I do. When I saw he had photos I’d never seen before of the Kuwait Towers under construction, I reached out and asked if he could send them over to me so I could share them as well.

These are rare photos I’ve never come across before, at least not in this quality. They were taken between 1971 and 1975 and show the construction of the towers, including when they caught fire in 1973.

Check them all out on my instagram account @248am, and make sure you follow @badshaiji if you’re interested in old historical photos of Kuwait.

The compound in Dasman that housed the original Kuwait Television studios, and later Villa Moda and Mais Alghanim, has been demolished. It’s located across the street from The Cheesecake Factory on the Gulf Road, near the Kuwait Towers (Google Maps).

I’m not sure how many people who drove past those old warehouse-like buildings knew how historically significant they were. The compound had been abandoned for over 20 years, but I always hoped it would be refurbished and redeveloped either into a creative hub like Qatar’s Fire Station, or a trendy retail space similar to Alserkal Avenue in Dubai.

Besides housing KTV, the first TV station in the Gulf, the buildings later became home to two other iconic Kuwaiti brands.

In 1987, “Mess Alghanim” which started off as a staff cafeteria for the employees of Yusuf Ahmed Alghanim & Sons Co, moved into one of the old Kuwait Television building and transformed into a warm family restaurant. It was also that year the name of the restaurant was changed to “Mais Alghanim”.

In 1992, Sheikh Majed al-Sabah opened the first Villa Moda there in one of the other buildings. He was the first to bring Western designers like Donna Karan, Calvin Klein, and Ralph Lauren to the region. Until today when I think of that store I can’t believe how ahead of its time it was.

As a tribute to the compound’s history, I’ve put together an album on Flickr that includes:
– Black and white images shared by @badshaiji from 1975
– Photos Mais Alghanim when it was still open there
– Villa Moda store after it had shut down and been abandoned
– Photos of the compound taken in 2021 and 2024
– Photos of the compound now being demolished

Check out all the photos here.

I like the fact that calling 113 still gives you the time. It’s nostalgic.

Scrolling through the Instagram account @kap.posters, you’d think you’ve stumbled upon retro blueprints from Kuwait’s golden era of architecture. But what you’re actually seeing is the creative work of Ahmed Safer, an architect and visual artist who creates digital posters of Kuwait’s architectural landmarks.

Kuwait’s modern architectural identity began to take shape in the aftermath of 1946, the year crude oil exports first took off. With newfound wealth, Kuwait became a melting pot of global influences. Western art, literature, technology, and architecture poured in. Brutalism and Modernism, the global architectural trends of the time, found a strong foothold here, and Kuwait embraced it. A wide spectrum of structures were constructed, everything from massive rigid buildings, to colorful and playful villas all reflected this new wave of architecture that defined the 50s through the 80s.

But now, a lot of those buildings are being demolished, and that entire era is disappearing.

KAP Posters is a visual archive, a growing collection of digital illustrations that pay tribute to Kuwait’s architectural gems. These aren’t just digital sketches though. Because Ahmed is an architect, he approaches each building with discipline, precision, and care. He told me he tries to be as accurate and original as possible with his illustrations. He doesn’t draw building extensions or alterations for example. His illustration of the National Council for Culture, Arts & Literature (NCCAL) building for example (above) took 12 days to complete because he had to replicate the exact same number of tiles on the building.

His whole process actually starts with a lot of research, scanning old books, digging through the internet, or photographing buildings in person, often with a drone. He then corrects distortions and stitches the reference images together in Photoshop. Only after that does he start tracing, layering, coloring, and adding subtle details.

KAP Posters isn’t just an art account, it’s turning into a time capsule. If you’re interested in Kuwait’s old architecture then check it out. @kap.posters

If you look at a KD20 note, you’ll notice a dhow on it. That’s Al-Ghazeer, and I recently found out the story behind it. The illustration on the KD20 was also based on the image used in this post.

This story starts with Mohammad Al-Maskati. Mohammad started sailing at the age of 6 as a Tabab (helper) on pearl-diving vessels, working unpaid while learning the trade. By ten, he was promoted to Rathif (diver’s assistant), earning a small share of profits. Three years later, he became a Ghais (diver) but later moved to trading vessels.

Mohammad joined a trading dhow as a seaman transporting dates and cargo from Basra to India. Within two years, he was entrusted with steering the vessel. Mohammad worked as the Assistant to the Nokhada (Captain) until 1949.

In 1953, Mohammad was appointed as the honorary Nokhada of the fleet belonging to Sheikh Jaber Al-Ahmad Al-Sabah, the future Amir. He also began to utilize his experience and contacts in India within the shipbuilding industry. Over a period of years, Mohammad built 20 ships which he sailed back to Kuwait and the region to sell.

In the 1960s, Mohammad Al-Maskati began working with businessman Husain Marafie. Their relationship proved pivotal, as in the 70s, Marafie enlisted Al-Maskati to build a dhow that would serve as a restaurant for a 5-star hotel he and his family were developing, which later became the SAS/Radisson. The dhow was named Mohammadi II, after Hussain Marafie’s grandfather’s 1916 vessel, Mohammedi I. It was completed in 1979 and became the Al Boom Restaurant in 1982. While building Mohammadi II, there was enough spare wood to build another dhow so Al-Ghazeer was built and completed in 1983.

Husain Marafie and Al-Maskati sailed the Al-Ghazeer dhow from India to Oman, Bahrain, and finally Kuwait, where it received an enthusiastic reception in all three countries.

Al-Ghazeer was later featured on the back of the KD20 banknote as an element that alludes to Kuwait’s rich economic and commercial history that is linked to the deep blue seas.

For the source and more details on this subject, click here.

Note: The post has been updated with additional information since initially publishing.

While going through Ghazi Sultan’s photography archive, I came across a photo of the Seif Palace clock tower under construction. I don’t recall ever seeing photos of Seif Palace being built, especially the clock tower. When I previously posted about the clock’s history, I searched but couldn’t find any images of it during construction, which is why I found this simple photo so interesting.

Seif Palace was originally built in 1904, but over the years it was renovated and expanded a number of times. In the 1960s, as part of the second expansion, a new building was constructed which was characterized by a high tower that ended in a gold-plated dome with a clock. Construction of the expansion was completed in 1964.

The Seif Palace clock which was engineered by the UK based clockmakers Smith of Derby, was installed in January 1962. This means this photo was most likely taken between 1962 and 1964.

I noticed today that they’ve started demolishing the original KTV buildings on the Gulf Road. I don’t know why but I always imagined refurbishing the block and turning it into something like AlSerkal Avenue in Dubai, large spaces housing art galleries, cafes, lifestyle shops.

I’ve heard they’re planning to build a large gym on that plot, not sure how accurate that info is but it would suck if thats why these buildings were demolished.

A few weeks ago, I shared photos of old Kuwait taken by Ghazi Sultan (1941–2007), a Kuwaiti architect and urban planner. Ghazi was regarded as one of the key figures in Kuwait’s modernization and is best known for the waterfront project, including Green Island.

Since that post got so much engagement, I was granted access to his full archive and I will be publishing posts in collaboration with @ghazihamadsultan whenever I come across something interesting. I already have a few posts lined up, starting with these photos taken by Ghazi Sultan of Kuwaiti homes in the 1960s, many of which were either under construction or newly completed.

To check out all the photos from his archive, click here.
To find out more about Ghazi Sultan, visit ghazisultan.com