Category: Design

Back in February, the second phase of the waterfront project opened up. The second phase starts at the Swimming Pool Complex near SVN resort and ends at Green Island, while the first phase of the project starts at Green Island and ends just past the Kuwait Towers.

Since the full waterfront opened, I hadn’t ridden it from end to end. But this morning, I did go out for a ride and noticed a bunch of issues.

First, the good stuff. The bike path is amazing. It’s a massive difference from the path I used to ride. Back in 2020, I sold my mountain bike and got a road bike. I loved the bike but was kinda regretting not getting a mountain bike, since without any suspension and with skinny tires, it was a pretty rough ride in some areas. The new bike path, on the other hand, is super smooth, and my bike is perfect for it.

I think that’s the only good thing I have to say about it. But I do have a lot of negative opinions I want to vent about.

There is no shade. ANYWHERE. Like, nowhere at all. I used to park my car outside the Swimming Pool Complex parking. It was a shaded lot, but it’s not anymore. They removed all the shaded parking, so I now have to park further down at SVN where it’s shaded. Not that big of a deal, but I don’t understand the thinking process here. It’s as if the people who worked on the project have never been to Kuwait before.

Car shade aside, there isn’t any shade for humans either. They removed all the large trees, so no tree to stand under and catch your breath. Weirdly, they also removed all the shaded cubicles which people used to chill and BBQ under (at least in the second phase of the project). Why?

I rode my bike this morning from SVN to Green Island, and the only shade I found was the shaded pathway that takes you into Green Island. What do they have against shade? I don’t get it.

I wish they had cool-down areas along the way. Like a bit of shade and maybe a water fountain. I love that they’ve fixed up the waterfront, but I feel like the people who worked on it had never engaged with the waterfront before or have never been to Kuwait.

I remember when I first posted about the first phase completion, a lot of people complained about how the benches don’t have any back support. And I remembered that when I used to ride my bike, I used to see a lot of people chilling on the benches, talking to each other, maybe reading a book, or just staring into the horizon. You can’t do that anymore. It’s like they don’t want people to spend time at the waterfront, and there’s a term for this:

Hostile Architecture.

The architects of the new waterfront designed it in a way that purposefully changes the behavior of the previous “customers” (not sure thats the right word but you get what I mean). So for example, instead of providing comfortable seating for the people who used to spend hours sitting and reading, those people now have to find another place to sit due to the lack of comfortable benches. Instead of creating an area for summer runners and riders to cool down and take refuge from the sun, they designed it in a way that makes the waterfront hostile to summer daytime users.

I love the bike path and will continue to use it, but all I’m asking for is for a bit of shade (something like the photo above) and water fountains.

Last night, as part of AlSadu Society’s celebrations marking Kuwait City’s designation as a World Craft City for Sadu weaving, a new temporary immersive experience was launched at Sadu House.

The immersive experience is set up in the inner courtyard and features a large temporary room surrounded by LCD panels that blend Sadu heritage with modern technology.

The experience is open to the public starting today and runs until Thursday (May 20–22). If you’d like to check it out, visit anytime between 6:30PM and 9:30PM. Entry is free. @saduhouse

Muhra, the local luxury fashion brand, recently unveiled their handcrafted traditional thoub designed for the Kuwait Airways crew. The thoub incorporates elements from the airline’s branding and will be worn by welcoming stewardesses on select flights.

Muhra was founded in 2004 by Farah Al Babtain and got a lot of attention last year when they designed the official attire for the female Kuwaiti athletes at the Paris Summer Olympics. They also created the official outfits for the Asian Games the year before, but my personal favorite project of theirs is the 30 Moons Campaign.

The 30 Moons Campaign ran during Ramadan this year and was an ode to the strength and beauty of women. I loved the art direction and found it visually stunning, especially the short reels.

You can view more photos of the new Kuwait Airways thoub on their instagram account @muhraofficial. If you want to check out the beautiful 30 Moons Campaign, scroll down in their reels till you see the visuals I’ve posted above.

Ghazi Sultan (1941–2007) was a Kuwaiti architect and urban planner. He was regarded as one of the key figures in Kuwait’s modernization and is best known for the Gulf Road waterfront project, including Green Island. The project also included a number of smaller artificial islands along the coast with my favorite being Turtle Island (Google Maps).

Turtle Island is a small artificial island located behind the Italian restaurant Johnny Carino’s. It has a children’s play area featuring a giant fish structure in the middle, while the rest of the island is filled with large turtle sculptures.

Part of the Ghazi Sultan photography archive includes photos he took when the project was completed. Although the photos aren’t dated, I’d assume they were taken in the late 80s. The island looked so different back then compared to today!

First off, what happened to all the colors? The island used to be so much more vibrant — a bright orange frame structure, colorful toys, and the giant fish even had a crawl space for kids. Even the turtles that surround the island were painted olive green with brown accents. Today, the island feels monotone. The orange frame is now white, the fish lost its crawl space and just looks like a grey blob, and the colorful toys were swapped out for dark red ones that are now in bad shape. As for the turtles, they’re now just dull grey concrete color.

To find out more about Ghazi Sultan, visit ghazisultan.com or @ghazihamadsultan

Stockroom Coffee recently opened their new location in KIPCO Tower, and I think it looks really great. Their Murouj branch is one of my favorite looking coffee spots, and this new branch was also designed by the same architects, FORM. The space has a sophisticated yet cool aesthetic. It’s minimal, but not simple since there are interesting little details everywhere you look.

It doesn’t show in these photos, but there is a seating area. And although this Stockroom is probably catering to the tower and surrounding office buildings during the day, it feels like it could be a chill place to hang out in the afternoon and evenings once the office crowd clears out. The new location is on the ground floor of KIPCO Tower and is open from 7AM to 10PM. Google Maps

If you want to check out more photos of the place, head to @formkw

Photos above taken by @mashkanani

Scrolling through the Instagram account @kap.posters, you’d think you’ve stumbled upon retro blueprints from Kuwait’s golden era of architecture. But what you’re actually seeing is the creative work of Ahmed Safer, an architect and visual artist who creates digital posters of Kuwait’s architectural landmarks.

Kuwait’s modern architectural identity began to take shape in the aftermath of 1946, the year crude oil exports first took off. With newfound wealth, Kuwait became a melting pot of global influences. Western art, literature, technology, and architecture poured in. Brutalism and Modernism, the global architectural trends of the time, found a strong foothold here, and Kuwait embraced it. A wide spectrum of structures were constructed, everything from massive rigid buildings, to colorful and playful villas all reflected this new wave of architecture that defined the 50s through the 80s.

But now, a lot of those buildings are being demolished, and that entire era is disappearing.

KAP Posters is a visual archive, a growing collection of digital illustrations that pay tribute to Kuwait’s architectural gems. These aren’t just digital sketches though. Because Ahmed is an architect, he approaches each building with discipline, precision, and care. He told me he tries to be as accurate and original as possible with his illustrations. He doesn’t draw building extensions or alterations for example. His illustration of the National Council for Culture, Arts & Literature (NCCAL) building for example (above) took 12 days to complete because he had to replicate the exact same number of tiles on the building.

His whole process actually starts with a lot of research, scanning old books, digging through the internet, or photographing buildings in person, often with a drone. He then corrects distortions and stitches the reference images together in Photoshop. Only after that does he start tracing, layering, coloring, and adding subtle details.

KAP Posters isn’t just an art account, it’s turning into a time capsule. If you’re interested in Kuwait’s old architecture then check it out. @kap.posters

I visited Nasco a few months ago while looking for the local USM dealer because I needed a console for my living room TV. USM is a modular furniture brand you’d probably recognize if you saw it since it’s fairly popular and has a unique look. When I visited back in October, they had unofficially opened their new location, but since then, they finally held their official inauguration.

The new Nasco showroom has a sleek, premium aesthetic with high ceilings and diverse spaces. The building interestingly was originally a glass factory before being repurposed into a multi-brand showroom, designed by Flaviano Capriotti Architetti. The Nasco building also houses Gourmet Grocers, which I previously posted about. Gourmet Grocers is a high-end boutique offering a curated selection of premium gourmet products to quality-focused customers.

My favorite part of the building though is the area they call The Pavilion. It’s a bright inner courtyard infused with greenery that creates a seamless connection between architecture and nature.

Inside, the showroom is divided into two main areas, the Poliform showroom and the Nasco Interiors showroom. The Poliform showroom features the brand’s latest collections, from sleek kitchen units to sophisticated wardrobe systems, while the Nasco Interiors showroom offers a curated selection of luxury brands, including: SieMatic, Meridiani, Bellavista Collection, USM, de Le Cuona, Oluce, along with a wide array of textiles and fabrics.

The showroom is more than just a display—it’s an inspiration hub, demonstrating how these elements come together to create stylish, cohesive interiors for a range of tastes.

For context, Nasco Group has been around for over 30 years, operating in Kuwait and the UAE. They’re well-known for exclusively distributing premium lifestyle products across home interiors, gourmet foods, and even brands like Nestlé Nespresso.

The new Nasco building is located in Shuwaikh, on the same street as Ananas and Al Tilal Complex (Google Maps). They’re open Saturday to Wednesday from 9AM to 7PM and on Thursday from 9AM to 5PM. For more information, head to @nasco.group, @nascointeriors, and @gourmetgrocers.

Gravity coffee shop recently reopened its newly redesigned shop in Seaview Mall, Abu Hulaifah. The interior was designed by Studio Nama, the same studio behind the new Matchbox at JACC, which I also love and highlighted back in December.

The main design concept of Gravity aims to accommodate both individuals seeking quiet moments and larger groups looking for communal interactions.

What caught my attention was the contrast between the different materials, colors, and textures used to give this space its unique look. I also love how the space has so many layers and nooks—plus, I’m a sucker for chocolate brown velvet sofas. Studio Nama deliberately created a variety of seating options, from sofas to casual tables with chairs to platform cushions for a more informal feel. It’s because of these different arrangements, the space can accommodate both solitary visitors and larger groups.

If you want to see more photos of the space as well as other work by Studio Nama, click here.

Photos by @mashkanani

A few days ago KFH launched their new branding and I don’t think I like it. The icon, although derived from the old logo (pictured below), it feels generic, but mostly I’m really not a fan of the KFH English typeface which feels like a techno font from the 90s.

I do like the fact that the English name is now just KFH, while the Arabic is the full name. NBK is like that and it’s worked pretty well for them.

White Fortress is a chalet located in Al Khiran and was designed by the local architects TAEP/AAP. I previously posted about two other chalets they designed and this one caught my interest because of the lighthouse-like structure that towers over the compound.

The architects designed the White Fortress with privacy and discretion as the main priorities of the project. The space is surrounded by tall, thick walls that offer protection from the harsh climate and arid surroundings, while providing a serene and inviting interior. The enclosure contains a series of patios and gardens, each assigned a distinct role, such as greeting, resting, or celebrating, to provide a variety of experiences.

Within the center of this “oasis,” a tall lighthouse-like structure creates a place for meditation and seclusion while providing endless panoramic views of the house gardens, the dunes, and the sea. The roof is also accessible from the tower, transforming into a contemplative walking space with an endless horizon view of the sea.

At first I wasn’t too sure about having the walls so high on both sides of the compound, but with neighbors popping up next door eventually, I think I can see the appeal of a fortress like structure. To see more work photos of this project, click here.

Pantone recently announced its Color of the Year—Mocha Mousse, a warm brown hue. Personally, I’m over brown and beige, which is why I love the new Matchbox eatery.

Matchbox just opened a new location at Sheikh Jaber Al Ahmed Cultural Centre (JACC) and it’s visually everything I want a place to look like, just full of color and packed with details. You’ve probably noticed from my recent design highlights that I’m over minimal design and far more into places like this, which feel cozier and more visually interesting.

The new Matchbox was collaborative effort put together between the Matchbox team and Studio Nama. The design was executed by Creative International and the photos were taken by Mohammad Ashkanani.

I love it. For more photos, click here.

When I was studying design in college, one of the yearly annual competitions we’d look forward to was the “50 Books | 50 Covers” competition by AIGA (The American Institute of Graphic Arts). This competition started in 1923 and became an annual staple in the design community so we were always pretty excited to see what covers and books they selected. A couple of days ago, AIGA announced the latest winners for their 50/50 awards, and this year a Kuwaiti designer was one of the winners.

Fahad Al Hunaif won Best Book Design of the Year for his exhibition catalog, “Going Dark: The Contemporary Figure at the Edge of Visibility” designed for the Guggenheim Museum. Fahad describes the 256-page book as capturing the concept of duality to align with the exhibition. The stark, black exterior contrasts an interior filled with generous white space and subtle material changes, highlighting the tension between invisibility and hypervisibility.

I’ve been a huge fan of Fahad’s work since back in 2013 when he was still in New York studying at Parsons School of Design. He got his first 15 seconds of fame after @caradelevingne was photographed wearing his profane Cartier parody cap, “Cuntier”. Cara was backstage at a Jeremy Scott Runway Show when the ultra-famous fashion photographer @terryrichardson snapped some pictures of her wearing the cap. The photo went viral and eventually landed Fahad in a bit of trouble after Cartier slapped him with a cease and desist letter. I posted about him back then and you can check that old post out here.

Today, Fahad is a partner at TB.D, a multidisciplinary design studio that has worked on branding projects like Boost, ODE, and RA. You can check them out at tbd.studio or visit AIGA Design to see more winners.

The Kuwait Pavilion at last year’s International Architecture Exhibition at the Venice Architecture Biennale was titled Rethinking Rethinking Kuwait (pictured above). The project was an ongoing investigation aimed at rectifying the effects of modernist urban planning, which led to the erasure of much of Kuwait’s historic built fabric.

That same pavilion has now been moved and reinstalled here in Kuwait. This is the first time this has happened; usually, if you miss the pavilion in Venice, you’re out of luck. But this year, they decided to pack up the exhibition and bring it to Kuwait, where it’s currently on display at the Yarmouk Cultural Center – Dar Al-Athar Al-Islamiyyah.

The pavilion examines Kuwait on a national scale, with a focus on Kuwait City as a prototype features over 30 Kuwaiti exhibitors.

If you’re interested in checking it out, it’s open daily from 10 AM to 7:30 PM, except on Fridays and Saturdays when it’s closed. For more information and photos head over to @rethinking.kuwait

The restaurant Select just opened its new location at The Avenues, designed by the Turkish-based studio Gulmen Interiors.

Gulmen wanted to evoke the charm of classic theater stages with their design. From the moment you walk in, you’re transported, forgetting the time and place. They blended Art Nouveau lines, plush velvet fabrics, distressed wood panels, and bold colors, to create a cinematic dining experience.

The style isn’t what I typically go for, but that’s what I love about it—it’s different. If you want to check it out in person, the new Select is located in the Grand Avenues, right next to the Cheesecake Factory. To check out more interior shots, click here.

Muneera is an independent cultural researcher and documentary photographer who for the past 4 years has been going around Kuwait documenting post-oil houses. Her account is filled with beautiful but decaying homes, that even in their current state still look better than a lot of the newer generic buildings that have been popping up over the past few decades.

When Muneera first started documenting these houses she didn’t have any preconceived ideas of them. Their odd structure compared to buildings around them stood out to her, and their futuristic design contrasted with their deteriorating condition raised a lot of questions about the past and present:

• What happened back then?
• Why do we decide to build our homes the way we do?
• What contributes to shaping our homes, neighborhoods, streets, and cities?
• What impact does that have on our environment and lived experience in those spaces?

She’s documenting and researching these houses as a way to answer some of these questions, and understand the value of these buildings while considering the wider issues related to land use in Kuwait.

I’m always fascinated with Kuwait’s past and its stories, so I really appreciate Muneera’s effort in capturing these beautiful homes before they disappear forever.

Muneera was also initially documenting baqalas so she could look into their disappearance and the culture around it. She had to stop though since it was taking too much time and decided to focus on the house for now. I actually didn’t really notice baqalas disappearing until she brought it up. My two favorite baqalas in my neighborhood closed down years ago, one turned into a bubble tea shop, the other into a Filipino bakery. They really might be disappearing.

Check out Muneera’s account @th9neighborhood for more photos—she’s captured many beautiful buildings.