I’m always incredibly jealous of the kinds of photos Bader Alshaiji (@badshaiji) has access to. Thankfully, he loves sharing as much as I do. When I saw he had photos I’d never seen before of the Kuwait Towers under construction, I reached out and asked if he could send them over to me so I could share them as well.
These are rare photos I’ve never come across before, at least not in this quality. They were taken between 1971 and 1975 and show the construction of the towers, including when they caught fire in 1973.
The Palestine Film Festival 2025 opens tomorrow (Sunday, April 6) as part of the “All Eyes on Palestine” visual event happening in Kuwait this week which also includes the “Gaza Habibti” photo project.
“Gaza Habibti” brings together the work of 25 photographers from Gaza, capturing moments of hope and everyday life in a place still fighting for freedom and dignity. Their photos will be part of exhibitions taking place around the world, with all proceeds going to support photographers in Gaza. This event is taking place at @capkuwait and opens April 6 and will be on view until April 12.
The Palestine Film Festival Kuwait on the other hand is a volunteer-run, non-profit initiative that celebrates Palestinian life, art, and culture. The festival features a curated lineup of films, from documentaries to shorts, all highlighting the resilience and spirit of the Palestinian people. This year the films will be showing at CAP Theater and AUK.
There is also a poetry night taking place on Thursday.
All events are free and no registration is required for any of them.
The compound in Dasman that housed the original Kuwait Television studios, and later Villa Moda and Mais Alghanim, has been demolished. It’s located across the street from The Cheesecake Factory on the Gulf Road, near the Kuwait Towers (Google Maps).
I’m not sure how many people who drove past those old warehouse-like buildings knew how historically significant they were. The compound had been abandoned for over 20 years, but I always hoped it would be refurbished and redeveloped either into a creative hub like Qatar’s Fire Station, or a trendy retail space similar to Alserkal Avenue in Dubai.
Besides housing KTV, the first TV station in the Gulf, the buildings later became home to two other iconic Kuwaiti brands.
In 1987, “Mess Alghanim” which started off as a staff cafeteria for the employees of Yusuf Ahmed Alghanim & Sons Co, moved into one of the old Kuwait Television building and transformed into a warm family restaurant. It was also that year the name of the restaurant was changed to “Mais Alghanim”.
In 1992, Sheikh Majed al-Sabah opened the first Villa Moda there in one of the other buildings. He was the first to bring Western designers like Donna Karan, Calvin Klein, and Ralph Lauren to the region. Until today when I think of that store I can’t believe how ahead of its time it was.
As a tribute to the compound’s history, I’ve put together an album on Flickr that includes:
– Black and white images shared by @badshaiji from 1975
– Photos Mais Alghanim when it was still open there
– Villa Moda store after it had shut down and been abandoned
– Photos of the compound taken in 2021 and 2024
– Photos of the compound now being demolished
While going through Ghazi Sultan’s photography archive, I came across a photo of the Seif Palace clock tower under construction. I don’t recall ever seeing photos of Seif Palace being built, especially the clock tower. When I previously posted about the clock’s history, I searched but couldn’t find any images of it during construction, which is why I found this simple photo so interesting.
Seif Palace was originally built in 1904, but over the years it was renovated and expanded a number of times. In the 1960s, as part of the second expansion, a new building was constructed which was characterized by a high tower that ended in a gold-plated dome with a clock. Construction of the expansion was completed in 1964.
The Seif Palace clock which was engineered by the UK based clockmakers Smith of Derby, was installed in January 1962. This means this photo was most likely taken between 1962 and 1964.
Last week the Environment Public Authority (EPA) shared some cool photos they captured of the Arabian Red Fox. Locally the foxes are known as “Al-Husni,” and they were observed in North Salmi and Mutlaa, as well as the southern desert regions and natural reserves such as Al-Jahra Natural Reserve and Sabah Al-Ahmad Natural Reserve.
Wildlife camera traps and drones were used to study the foxes and capture the photos. According to the EPA the Arabian red fox can live in a variety of environments and can endure Kuwait’s summer heat. They also tend to be drawn to areas near camps and human settlements in search for food.
While the Arabian Red Fox is not considered endangered, it is still protected through international agreements and local efforts to ensure its survival and prevent illegal trade.
A few weeks ago, I shared photos of old Kuwait taken by Ghazi Sultan (1941–2007), a Kuwaiti architect and urban planner. Ghazi was regarded as one of the key figures in Kuwait’s modernization and is best known for the waterfront project, including Green Island.
Since that post got so much engagement, I was granted access to his full archive and I will be publishing posts in collaboration with @ghazihamadsultan whenever I come across something interesting. I already have a few posts lined up, starting with these photos taken by Ghazi Sultan of Kuwaiti homes in the 1960s, many of which were either under construction or newly completed.
Ghazi Hamad Sultan Bin Isa (1941-2007) was a Kuwaiti architect and urban planner who is regarded as one of the key figures in the modernization of Kuwait. He is best known for the waterfront project (including Green Island) which was developed jointly with Sasaki while working for the Ministry of Public Works. Ghazi Sultan is also renowned for his significant contributions to the Arab art movement. In 1969, he founded Sultan Gallery (@sultangallery) with his sister Najat Sultan, and it remains active to this day.
Ghazi’s son, Zahed Sultan (@zahedsultan), recently launched a website and Instagram page (@ghazihamadsultan) to honor his father’s legacy. According to Zahed, both platforms will be updated regularly, as his father’s archive holds a wealth of material to share.
One section of Ghazi Sultan’s website contains photos of Kuwait taken by him in the 1960s. I’ve decided to share these for now and will hopefully post more stuff from his archive in the future, espcially the architectural projects.
If you want to find out more about Ghazi Sultan, or view the photos he took, head over to ghazisultan.com
The ice skating rink used to be one of my favorite landmarks in Kuwait. As a kid in the 80s, I took ice skating lessons there, and by the early 90s, it became a popular hangout spot for me as a teenager. We’d listen to great music (there was a DJ), play arcade games, grab dinner, and, of course, skate. I always loved the building’s design—it was truly iconic. When I created the Kuwait Blogs app back in 2010, I chose the ice skating rink as the image to represent Kuwait. It felt less cliché than the Kuwait Towers, and its unique shape made for a perfect app icon.
The rink was designed by French architect Dominique Beau, whose firm won the contract in November 1977. It officially opened in March 1980, making it the first ice skating complex of its kind in the Middle East. Beau thoughtfully incorporated local culture into the design—the iconic structure was inspired by Bedouin tents, while the terracotta tiles on the interior and exterior walls were influenced by traditional Sadu weavings.
Sadly, the rink was demolished in 2020 to make way for a new ice skating rink as part of the Al Shaheed Park Phase III project. When I got a sneak peek of the new rink last year, I noticed a tribute area dedicated to the old one. It’s a mini museum showcasing parts from the original rink, including terracotta tile wall patterns, ceiling beams, original seats, and other artifacts. Interestingly, the minaret of the Phase III mosque was built using beams from the old rink. Still, I wish they had preserved the original rink instead of replacing it.
I’m usually pretty good at digging things up, but I’ve never managed to find photos of the rink during its construction. Thankfully, Laila Al Hamed from @zericrafts and Huda Abdulmughni from @studio.khemiae spent over a year working to get their hands on some very rare photos. These came from the French architect, Dominique, and an engineer who worked with the Al Kharafi Group during its construction. I’ve shared some of the photos before but I’ve now uploaded them to my Flickr account in their original size and unedited. You can check them here.
A few weeks ago I spotted a post by Gulf Bank on LinkedIn celebrating their 64 year anniversary. They had shared a few old photos but they were low-res and not really that great, so I decided I’d try and find some better ones, and I did.
According to Gulf Bank’s ‘About Us‘ page, the bank was founded in 1960. The page also mentions that in 1961, they hired architect Jean-Robert Delb to design their head office. While the building he designed is still their head office today, they only moved into it in September 1976, according to an old newspaper ad. Before that, they operated from a different head office.
Their original head office was designed in 1963 by Tony Irving and Gordon Jones of the Design Construction Group (DCG). The building was two floors and was composed of three separate buildings wrapped into one. The municipality for some reason had insisted that the owners of the units adjoining the bank adopt the identical architectural treatment, which is how we ended up with that iconic looking block.
Sadly, the original Gulf Bank head office building was recently demolished. It was the same building that had housed Richard’s Coffee and NIU, right across the street from Souk Mubarakia.
The photos above are from a 1972 issue of Aramco World and were taken by Burnett H. Moody. The black and white photo below was taken by Andy Warhol when he visited Kuwait.
The advert below was taken from Kuwait Times, September 1976 issue.
Years ago I found photos of Kuwait from 1980. I didn’t share all of them back then, but I just found the folder on my computer this morning and picked a bunch taken by The Architects Collaborative while they were in Kuwait back then.
When we look at old photos of Kuwait, we often see only beautiful shots which gives the inaccurate impression that everything was perfect back then. Which is why I like these unpolished photos of Kuwait which shows the beautiful old buildings starting to fall apart.
It feels like the architects captured a period when Kuwait was transitioning from old to new once again. Check them all out in hi-res here.
Muneera is an independent cultural researcher and documentary photographer who for the past 4 years has been going around Kuwait documenting post-oil houses. Her account is filled with beautiful but decaying homes, that even in their current state still look better than a lot of the newer generic buildings that have been popping up over the past few decades.
When Muneera first started documenting these houses she didn’t have any preconceived ideas of them. Their odd structure compared to buildings around them stood out to her, and their futuristic design contrasted with their deteriorating condition raised a lot of questions about the past and present:
What happened back then?
Why do we decide to build our homes the way we do?
What contributes to shaping our homes, neighborhoods, streets, and cities?
What impact does that have on our environment and lived experience in those spaces?
She’s documenting and researching these houses as a way to answer some of these questions, and understand the value of these buildings while considering the wider issues related to land use in Kuwait.
I’m always fascinated with Kuwait’s past and its stories, so I really appreciate Muneera’s effort in capturing these beautiful homes before they disappear forever.
Muneera was also initially documenting baqalas so she could look into their disappearance and the culture around it. She had to stop though since it was taking too much time and decided to focus on the house for now. I actually didn’t really notice baqalas disappearing until she brought it up. My two favorite baqalas in my neighborhood closed down years ago, one turned into a bubble tea shop, the other into a Filipino bakery. They really might be disappearing.
Check out Muneera’s account @th9neighborhood for more photos—she’s captured many beautiful buildings.
This is just a follow up to my post from a few weeks ago about the Ricoh GRIII. If you missed that post, basically I got the GRIII camera to use as a travel cam since I’ve been finding my Fuji X100V a bit cumbersome when traveling.
I took the Ricoh with me to Athens a couple of weeks ago and during the week trip I took 121 photos with my iPhone, and 304 photos with my Ricoh. That is crazy.
The fact I took more photos with the GRIII than my iPhone goes to show how great a travel camera is it. I carried the iPhone in one pocket in my shorts and the GRIII in the other and I always found it easier to pull out the GRIII snap a photo and put it back. It slips in and out of my pocket easier than the iPhone because my iPhone has the silicone cover. But also the iPhone is bigger so harder to pull out of my pocket while the GRIII is smaller so easier. Also it’s a lot easier to pull the camera out and press the power button to turn it on and start taking photos than it is to pull out the iPhone, tap to turn the screen on and then tap again to open the camera and then reposition my hand on the phone to take a photo.
I love the GRIII so much, if I wasn’t a camera hoarder I would sell my Fuji because I can’t think of a situation now where I would pick it over the GRIII.
Oh and another thing, I usually run my iPhone photos or Fuji photos through RNI afterwards to apply a filter, I wasn’t applying any filters to the Rioch photos, they all looked great as is straight out of the camera. I also enjoyed shooting with the 28mm lens over the 35mm lens of the Fuji. Especially when traveling, I feel a wider lens works better.
I do have one big complaint about the Ricoh though and one I’m surprised they haven’t solved yet with a firmware update. You can’t shoot photos in the 16:9 ratio! They only give you the option of 3:2 and 1:1. I appreciate 1:1 since that’s a square and what I use for my Instagram posts, but 16:9 is crucial for me since that’s the ratio of Instagram stories and how I share my photos.
Other than that the camera is perfect, I can’t recommend it enough. I got mine from BHPhoto for around $1,000. They’re usually out of stock but you can just buy it and once they restock they ship right away and straight to Kuwait. Link
Although I mostly highlight villas and commercial spaces as part of my design highlight series, the AB Penthouse is a rare instance where an apartment stands out for its beautiful design.
Perched atop a building in Salmiya, the AB Penthouse was completed earlier this year, boasting a 320m² area and its own private pool. This stunning penthouse was designed by the local architecture and interior design studio fortytwelve, the same team behind the stylish Ode Eatery.
The space has a lot of beautiful moments but I think my favorite has to be the walk-in closet with the large window that overlooks the sea (pictured above). Check out all the photos from this project on the fortytwelve website.
Sir Wilfred Patrick Thesiger was a British military officer, explorer, and writer. His first visit to the Gulf was in 1945, shortly after the Second World War, when he accepted a position as a researcher with the British Middle East Anti-Locust Unit (MEALU).
Based in Saudi Arabia, Sir Wilfred was able to travel to Kuwait and Bahrain, thanks to having access to a car. He made a second visit to Kuwait in 1949.
During both trips, Sir Wilfred captured numerous photographs, including some of Souk Mubarakiya, which I found particularly interesting and am sharing in this post.
These pictures are part of the collection at the Pitt Rivers Museum and are available to view online. If you’re interested in seeing more of the photos he took during his time in Kuwait, you can explore them at prm.web.ox.ac.uk or by checking the two links below:
I found these really old aerial photos of Kuwait City while browsing through the Tareq Rajab Museum photography archive so decided to scan them to share. There wasn’t a date on them but I’m assuming they were taken in the early 1950s. I came to that assumption since in one of the photos I could see the Thunayan Al Ghanim Building under construction, and that was completed in 1954.
Thunayan Al Ghanim Building is the old building on the corner of the Sheraton Roundabout. It was considered to be one of the most advanced buildings in Kuwait at the time, and one of the first to have an elevator. There are stories of bedouins coming in from the desert to watch “the flying horse” that could go up and down. The Thunayan Al Ghanim building housed the original KOC offices, the British Consulate, the first English bookshop in Kuwait, as well as the Sultan Gallery and the Rolls Royce dealership.
It’s kind surreal looking at these photos since it was really that long ago. In some of the photos you can make out the new buildings that were popping up beside the old houses. If you want to see how it would have looked like if you were in one of the alleyways looking towards the more “modern” buildings, click here.
All these photos were taken from a plane and I’m assuming on the same day, but don’t quote me on that.
