Search: “cop”

Remember a couple of weeks ago when we talked about the different ways musicians can earn a living making music? Well, while I was researching for that piece, I did a little digging on radio in Kuwait, trying to get a better understanding of how it works. Aside from the fact that very little information is actually out there, I did come to find some interesting facts, but I feel like if I just tell you the story about my own experience with 99.7, it’ll make for a better picture. But first, let me give you some background.

On April 20, 2016, I released my EP album, Plastic Desert Roots. Unlike my earlier works, the focus of this album was on the “heavier” social aspects of my world, something I had tried to stay away from in the past, but I’d been living and performing in Kuwait long enough to feel like it was time – I needed to voice some of the things I was going through. With that, it was only natural for me to want to tap into the reggae genre, where, under the mentorship of Fabrice Mareau, who produced the album, I had access to amazing knowledge from someone who’d been in the industry far longer than I.

“Peace in the Middle East”, “Stay for The Night” and “Pull Over”, three of the titles off of Plastic Desert Roots, all tackle issues that, for the most part, we all have had to deal with to some degree. In “Pull Over”, I basically talk about what it’s like to be me whenever I’m at a tafteesh, (Police checkpoint), or when randomly getting pulled over by cops – long-haired, fedora-wearing Amin, who’s Arabic is not perfect. So, you could say the song is a little… charged, and given the tightening of security measures around the country and the general crackdown on expats from the police department, I was lighting a flame way to close to this gas tank of an issue. But In the song, I don’t curse, and I made sure to give the song enough space so as not to offend anyone – mostly PG-13. So let’s start painting this picture.

As I drove up to the 99.7FM studio on that 4.20 day, I thought; this does not look at all like what I had expected, I might be a little over my head. I was actually taken aback by all of it, because like many of you, I’m used to a more, let’s say, “Western” approach, where the radio station looks more like a 5 star hotel lobby than a military training facility. But, if you’ve ever actually, physically, visited the station, you’ll realize that you’re entering some sort of a military compound – barricades, machine guns and all. At the gate, I needed to present my Civil ID, some other paperwork that had been requested of me (and not copies of it on my phone, physical hard copies of my documents), my car had to undergo a security check, (kind of like the ones at the bigger hotel chains in Kuwait but way more intimidating), all to ensure that I was a “welcomed” visitor. Once deemed friendly, I was allowed passage.

I was now driving past the gate with but one thought in my head; “Pull Over” is one of the songs I was about to premier on 99.7FM. But, instead of being naïve and trying to compare outwards, I remembered that one of the things I’d dug up on radio was that the history of radio itself actually comes from a military background. During the times of WWI and WWII, the radio served as a medium to share mass information with the general public so it made sense why there was a need to keep it protected. In our not-so-distant history, when Iraqi forces first made their way into Kuwait, TV and radio were the first things they took over. It’s the modern day version of “Capture the flag”. Ok, I assure you this is the only historical reference I’ll be making in this post. So, back to my visit of the 99.7 studio, at that moment I realized that dealing with the radio of a country, a government or public entity, is not something to play with – it actually has the potential to be extremely dangerous, and I was starting to doubt “Pull Over” was going to make it on the air.

When I made it to the studio, I sat with the host, someone who knows my album, had really taken the time to listen to it, and had interesting questions to ask – we did a general talk-through of how the show would play out, went through the album, I told her a little bit about each song and was really looking forward to her presenting my work. We went on air and everything seemed to be going great; we were getting callers engaging with the show, my WhatsApp was firing up with messages from friends, and I had almost entirely forgotten that I was doing all that from inside a military facility in Kuwait.

After the radio break, up next was; “Pull Over”. Now, getting down to the lyrics of the song, I do make a statement with respect to cops, saying in not so many words, “cops take advantage of their position of power”, because, the way I see it, custodians of the law are honest, or should be honest, but that is too often not the case. With a line like, “some cops stop a car to ask a girl out”, I was in essence singing not-so-sweet songs about one government entity of Kuwait, to another government entity of Kuwait. I was feeling the sweat of the predicament. And, when it came time to play the song, the host, with experience on how to navigate these situations, found an angle from which to present the song, maintaining the integrity of its message, without being offensive, to the public or the government. And that is what good hosts do. I got on the air and simply introduced the song as; “‘Pull Over’, and some of the realities of living in Kuwait.” I did not use the words “cops”, I did not say this is “my” experience – I left it wide open. But, without her guidance, I’m sure I would’ve pissed someone off.

or

So, you see, the image that 99.7 projects of themselves, through the music they play, the hosts they employ, and even some of the topics they discuss, can be quite confusing. And, if you’re thinking; they play all kinds of music from the States, a lot of which promotes, even celebrates, controversial, oftentimes taboo behavior in our culture, (and they don’t always catch censorship-worthy lyrics), you’d be right. But that’s the thing. That just let’s you know the obstacles they must continuously face to be able to bring you that from inside that institution. So when you think, why aren’t there more stations? Why is radio so restricted? Why can’t it be more liberal? Or sometimes, simply; why? This is why. And with that, I want to set some things straight, specifically about the hosts.

Many of the most common criticisms of radio hosts lie somewhere between; “these guys aren’t fit to host a radio show”, (and the list of reasons why varies), and “these guys are too restricted”. What I want to say is; with that type of establishment, and that kind of power, it makes complete sense that there is no tolerance for “malpractice”. The fact that the radio also announces prayer times, and not by simply announcing them either, but by broadcasting the athaan, and has regularly scheduled news broadcasts throughout the day that address issues of high-ranking government officials of Kuwait, is testament to the fact that being a host on a radio that shares these ideals, is a matter much more serious than simply entertaining their listeners. Because of that, I’ve actually grown to appreciate what the guys at 99.7RKFM do a lot differently than I did. Here’s another thing, when on the air, contrary to what some might’ve heard, there really isn’t much room for censorship, I’ve been on some of their shows, I know. There really isn’t some miracle technology to magically reset time. The only thing at their disposal is the 5-second delay in broadcasting (because they’re not actually live to the second), which, through this one “chopper” button on their counter, can be used to rewind, well, 5 seconds of time. But after 5 seconds, whatever goes out there, is pretty much out there. That’s a lot of pressure. And, if you think about it, quite a lot of power. And remember, this is a public entity, designed for mass communication, and, as a side “favor”, if you will, does us this luxury of playing cool hip music. But at its core, it’s only meant to ensure that the public receives correct information. So, as listeners, looking to ease our way through morning rush-hour with some good tunes, we take for granted how high the stakes are for these guys. Yes, they come across neutral, or “vanilla”, but when 5 seconds of what can be considered a controversial opinion has the potential to not only get you fired, but have you staring down a loaded legal situation with the government of a country, you’d probably opt for vanilla, too.

On that note, I’d like to show some overdue gratitude to those hosts, past or present, because, even though you might be listening to their show, not enjoying their vibe, those people are doing a job that is the equivalent to walking a tight rope, with a conditional safety net of the “5 Second Rule”, all while trying to entertain their audience. Do you know how many times I’ve said something, just a simple slip of the tongue, over dinner, that I wish I could take back? Something the repercussions of which were huge, and we’re talking a dinner of no more than 10 people. Now imagine that dinner table was the entire country of Kuwait, and that slip of the tongue was heard by every single person tuning in, all at the same time. It carries a different weight. Take a moment to think about that, and I hope that you come to see them differently, too.

Now, because there is actual information I’d like to share, here are some of the things I found while researching this topic. There are currently 9, maybe 10 radio stations in Kuwait; one of which is an independent US military station, another, 88.8FM, a private station, the former director of which, before the recent purchase, had his beginnings with the 99.7 team, and of course, 99.7 – so essentially, we’re talking about the same vibes. So, let’s see what opportunities this new purchase of 88.8 will present. In the meantime, be nice to our hosts, it’s a tough job.

Does anyone know any secrets of what went down with 88.8FM? We’re looking for more info for our upcoming posts.

Love, Music and Peace
Amin FARI

Post by Amin FARI
Are you a musician looking to perform? On the flipside, are you a host looking for musicians to book? Or maybe you’ve just got an awesome idea you’d like to share? Get in touch [email protected] / Instagram: @xxmrfarixx

Although I think drivers in Kuwait can be the worst sometimes (people stop driving while whatsapping!), what I’ve also realized because of my Vespa and Datsun 240z is that there are a lot of drivers out there that can be pretty nice. When I used to have the Vespa and I’d be stuck in traffic, people always moved their cars a bit when they saw me so they could let me ride all the way to the front in between the standstill traffic. It felt like everyone was rooting for me to get out of the traffic that they were all stuck in.

With my 240z I’m now experiencing a lot of niceness as well. Because the car is so low, usually the headlights of other cars (mostly SUVs) is higher than my car as you can see in the picture on top. So if their lights are on it pretty much reflects off my rear view mirror and into my face. Nearly all the drivers who pull up behind me at a traffic light turn off their lights so not to blind me. It’s a small gesture but I love it since its from total strangers.

I’ve also gotten so many compliments on the car from total strangers. For someone like me who doesn’t like attention, the amount of attention I get because of the car is so uncomfortable. On Friday I was heading back home on the Gulf Road and listening to my music loud while driving like a nutcase when I get to a traffic light. So I’m sitting there checking my phone when I here a beep of a police siren. I ignore it. Then I hear it again and I look out my rear view mirror and can’t see anything so I continue to ignore it. Then I hear the quick siren burst again the third time so I look to my right and there is a cop car right outside my window with a cop inside it trying to talk to me. So in my head I was like shit I’m screwed either because of my erratic driving or the fact my music was loud or because I was on my phone. So I quickly pause my music and yell out “Sorry?” cuz I couldn’t hear anything he had said. The cop then points at my car and says “very nice very nice” while giving me the thumbs up. I say thank you! and in my head I’m going wtf this is all so weird.

I feel like I’m in bizarro world sometimes.

I’ve asked a few people and it seems the video above is current but don’t take my word for it. Lifting a car with a forklift is a pretty extreme move considering the cars would most likely get dented or scratched. In any case, I’d avoid parking illegally for the next few weeks until the cops go back to their usual routine.

I also got the screenshot below supposedly showing the new fines for breaking the law. I doubt its real though since there are a bunch of spelling mistakes and translation errors, but then again, that could also mean its authentic. If it’s true then those new speeding fines are gonna make me go broke. UPDATE: It’s false!

Thanks Holla

What do you get when you put the guys from Radiohead in a gahwa, in Salmiya, watching the old Star Wars movies, drinking guava nectar instead of tea? This could take a while, but for the sake of this post, I’ll give you the answer; Galaxy Juice. That’s exactly the feeling I get when I listen to their new release single “Allokation” off of their new album Timenesia which will be released Nov 1st .

Back to my opening question, can you see it? I mean, how does one make Galaxy Juice? Aren’t you just a little bit curious? I was. So I paid them a little visit.

Before Timenasia, there was Crystal Dunes. The story of the making of Crystal Dunes is one that plays right into last week’s post, where I talked about the difficulties artists face in trying to “make it” in the music industry in Kuwait. When Crystal Dunes was made, naturally, these guys wanted to print copies – to sell, to give out, to use as coasters or whatever else – you get the idea. But when they approached record companies here, they were told they could only print a minimum of 1000 copies. At the time, the band didn’t feel like they had the kind of demand that would require that quantity and tried to negotiate them down to about half that, but even then, the prices they were getting were obnoxious. So, the next logical step; print it outside of Kuwait – to the U.S. they went. There, they found a printing company that kept their overheads nice and low, where they were able to print 100 copies. Perfect.

Back in Kuwait, when their order arrived, and as Mohammad Al Owaisi, (Drums & Synthesizers), tells it; he’d receive online notifications that his “package has arrived” but is being… you guessed it, “held at customs”. This “hold” starts feeling more like a “keep”, and so, he heads to the Customs Department at the airport. Now, before they could get into the details of “what’s the hold up?” they first had to locate this package. And so the search begins for this box, in a room full of other boxes, in a back office in the back of this office – they never find it. They hand him a note that basically states; because of the contents of the shipment, the package has been sent for inspection, please follow up with the Office of the Ministry of Information. Still on airport premises, he makes his way to the temporary “chinko” structure that is the Office of the Ministry of Information, far out into the horizon, off the path. As he stood in a room full of more boxes waiting to talk to someone, his eye catches his box. Finally! And, as though the universe and the stars were finally aligning, a man appeared from the back. They spend a couple of minutes talking about the box, the contents of the box, the quantity of the contents of the box, the motives behind the contents of the box, all the while Mohammad trying to explain that these CD’s are for distribution purposes only, and not intended for sale. Nevertheless, it’s a no go. With one copy of Crystal Dunes in hand, he’s redirected to the Ministry of Information HQ in Shuwaikh.

Day 2, Ministry of Information HQ. Like a sad song on replay, Mohammad goes through the saga of explaining; we’re a band, we make music, we wanted to share our music, we like CD’s, we wanted to give people CD’s. “So, is it just music, or do you sing?” the lady asks. “We sing”. “Yeah, we’re going to need to see those lyrics. Can you email them to me?” Mohammad goes home and emails her the lyrics.

Day 3, Ministry of Information HQ. He heads right back to the same lady, the only released copy of Crystal Dunes still in its plastic wrapper sits on her desk, unopened. The lyrics pass the censorship requirements. It’s a go! But, not until he is made to sign a memorandum of understanding, (ta3ahud), somewhere between an apology and a promise to never do that again ie. bring in products with the intent to sell or distribute. Approval letter signed and stamped, he heads back to the customs office at the airport, ready to finally take his babies home.

But, back to the ta3ahud for a minute. I’d understand if their only concern were that of a commercial nature, but they seem to also have a problem with just plain distribution. Why is that? Is it because they’re afraid that with enough of a following, a band has the potential to create propaganda? Or, maybe they don’t want to bring outside competition inside Kuwait’s market? I mean, let’s face it, Kuwait loves to play Monopoly. But, wait, this gets tragically better. Turns out, ALL members of Galaxy Juice are Kuwaiti citizens, all working government jobs and in essence, these Kuwaiti artists made a project in Kuwait, and tried to promote it, also in Kuwait, by giving it away, and couldn’t. In their own hometown, they couldn’t. I wondered if maybe their music had been more “Kuwaiti”, if that would’ve cut the number of hoops they would’ve had to jump through; that their music being difficult to categorize made it so it required all that extra screening. And so I investigated.

Band Members
Salem Al Salem – Lead Vocals, Guitar (Job-Accountant)
Mohammad Al Owaisi – Drums, synthesizers (Job-Mechanical Engineer)
Abdula Asem: Bass (Job-Marine Biologist)
Bader Al Salem: Drum machines, Sampler

In listening to their work, I found many elements of Kuwaiti music – an alternative rock vibe that seamlessly goes into a rhythm, or a clap, or a scale which would immediately be recognized as Arabic, or even specifically Kuwaiti. In their live show from last spring of this year at Shaheed park, they stopped mid-song to go into a full on traditional Kuwaiti clapping session, Sharbeka. So, clearly, their work is a fusion, but what I’m more interested in is, are they innovating? Are they on the brink of innovation? That begs the question, when does one know when a band is doing Kuwaiti Rock? Or, Arab Rock? When or where are the lines? Do these lines exist? Or is it up to us to create them? Listen to it and tell me what you think. You could be thinking, well, Amin, Rock is Rock. My answer to that is, there was a time when there was American Rock n’ Roll, and British Rock n’ Roll, and although distinct in their sound, they were still considered Rock n’ Roll. It’s not like British Rock had distinct British hymns or maritime stories incorporated in it, it just had a different take on an American Rock n’ Roll. Over time, and with the gaining popularity of the likes of The Beatles and The Rolling Stones, British and American Rock n’ Roll meshed into one. But, there was a time when there was a division, and it was a division by geographical location. So, back to Kuwait and the possibility of music innovation, how would we recognize it? How would we recognize the emergence of Kuwaiti Rock? If it’s even possible. I know that in this coming season, many artists will be experimenting with Arabic, even Kuwaiti elements in their music, and the lines are going to start to get even more blurry. Do we call it “Kuwaiti Pop Music”? But it’s not. Do we call it “Kuwaiti Urban Music”? What are the rules? I’m sure an Ethnomusicologist could answer this quite simply, but I think we’re at a time where the lines are already blurry for artists trying to incorporate some of their roots into their work. Here is a specific part of Crystal Dunes where you can see a clear integration.

When I listen to Galaxy Juice it makes me think; are they making music for our time? There album is called Timenesia, and is somehow of the past, the future, of here and of other places. It’s like they’re this Rock group, experimenting with music of somewhere that is not of here, almost like they’re playing for outer space. With a name like Galaxy Juice, it all makes sense.

Follow them on Instagram: @galaxyjuiceband

Peace, Love and Music

Post by Amin FARI
Are you a musician looking to perform? On the flipside, are you a host looking for musicians to book? Or maybe you’ve just got an awesome idea you’d like to share? Get in touch [email protected] / Instagram: @xxmrfarixx

A few hours ago Kuwait Airways launched a new identity that included a face lifted logo, updated crew uniforms, a brand new aircraft livery, updated website and new flight routes.

Kuwait Airways were at Boeing in Seattle to collect their first 777-300ER aircraft in which these changes are making their debut on. The event was broadcasted live on their twitter account and you could rewatch the event on Periscope by clicking [Here] The new plane is expected to have it’s first flight on November 7th, 2016.

I’m going to hold back my detailed opinion on the new identity until it is properly launched and I’ve seen all their material, but right now I’ll just say that the new identity feels dated already.

The guys from MyFatoorah got in touch with me back in August, they were interested in advertising on the blog and they also wanted me to try out their product so I could review it. Like I tell all my advertisers, I can’t promise you I’ll write about your product, but if I try it and like it then I probably will. After trying their service not only do I like it, but its now become one of the primary ways my clients are paying me. Just to be clear, this isn’t a sponsored post. Not that I need to explain myself but it’s one of the rare occasions I’m writing about a product which is currently being advertised on my blog with a banner, so I just need to point this out for transparency reasons.

MyFatoorah is an online payment solution and I’ve been using them to collect payments from my blog advertisers and from my clients whom I do freelance branding work for. Previously, the methods of payments I had available were bank transfer, cash or cheque but now I also offer knet or credit card payments because of MyFatoorah.

To begin using their service, the first thing I had to do was download the MyFatoorah app, sign up and add my bank information and that was it. No need to wait for approval, no need to send a copy of my civil id or anything of the sort, you can start invoicing people and collecting payments right away. Within the first 3 days I had invoiced and collected payments from 5 different people and the amounts got deposited straight into my bank account in less than 24 hours.

To invoice people its a fairly simple process, you open the app, click on “Quick Invoice” then you enter the name of the person you’re invoicing and the amount. You then click “Send Invoice” and you could either whatsapp or SMS the person the payment link. That’s it. All that person needs to do then is click the link you sent them and settle the invoice either by Knet or a credit card.

The service isn’t free, MyFatoorah make their money by charging a transaction fee. Their standard charges are 2% for Knet payments and 3.5% for credit cards, this means if you bill a client KD100, MyFatoorah will take KD2 if the client pays using Knet. The charges are negotiable though, for example I’m getting a ridiculously good rate cuz wasta, but depending on how much business you’re expecting to perform, you could contact them and try to work out a better rate. The way I also have it set up is, if a client pays me with Knet, I accept the charges, but if the client wants to pay using a credit card, they’ll have to pay the 2.5% charge. I like being able to decide that from within the app.

Now another surprising way I’ve started using MyFatoorah is collecting money from friends or family. So for example I bought some event tickets a few weeks back and sent out knet links to my friends to pay me for their tickets. My brother needed to transfer me some money and instead of setting me up as a new beneficiary on his online banking account, I just sent him an invoice for the amount and I got the money that way. It kind of reminded me of the app Venmo. When I was in the States last summer, everyone was using Venmo to pay each other. If a person bought movie tickets for everyone, then the group would pay that person via Venmo and I’ve been using MyFatoorah like that as well.

One final way I’m going to start using MyFatoorah is with a donate button on the blog. I’ve always kinda wanted to do that ever since I started blogging since it was a fairly common thing in the early days of blogging. But since I lived in Kuwait, there wasn’t a way to do that previously. Now I finally can although I’m like a decade late. Basically MyFatoorah allows me to setup a generic payment link which anybody can click on and pay me whatever amount they’d like. So if you want to donate money for my lattes for life fund, here is the [Link]

There are a couple of features I’d like to see in MyFatoorah that are currently missing. One feature is the ability to copy paste the payment link from within the app to an email. Right now the only two options I have to send an invoice is SMS or Whatsapp. To send a link to a client by email, I need to choose Whatsapp as an option, then when the link opens up in Whatsapp, I copy paste it back into an email. There will supposedly be an option to copy paste the link in the next app update, but as of now this is what I am doing. Another feature I’d like to see is the ability to setup an automated reminder email or message. Right now if someone doesn’t pay me, I need to awkwardly message them and be like “hey, how are you? Hope everything is well. I just wanted to remind you regarding the pending payment…”. I hate doing that so I’d like the app to send an automated reminder on my behalf say once every week to remind the person they have a pending payment. Like an annoying accountant.

So yeah I like the app as you can see. It’s great for freelancers and small businesses like me. The software has other features like the ability to integrate into your ecommerce store like Shopify or Magento, but I’ve personally been using it just to collect money from people. So if you’re interested in signing up, you can do so from their website or just download the app on your iPhone or Android device.

@Fabrice

Let’s talk money. Well, that got awkward quick. But, in all honesty, while we’ve spent the last few weeks focusing on how we can support not only our favorite local musicians, but the Kuwait music scene at large, to help build it and be part of its growth, the one thing we have yet to touch on is how musicians in Kuwait make their money.

So, let’s jump right into it. There are a few ways musicians can make money; merchandise sales, album sales, and finally, royalties. That brings us to Radio. Royalties work like this; whenever a song is played on the radio, or used in a commercial, a percentage is paid out to the artist every single time it’s played. The more the song is played, the more the artist gets paid. There are many top grossing musicians out there, living quite comfortably on just royalties as their music gets played over and over again on different radio shows. But, it’s a little different when we’re talking about the Middle East, and of course, Kuwait. This will help explain why you oftentimes get “This video is not available in your region” on YouTube, or why we don’t get Spotify or Pandora. The reason is quite simple, there are no Collecting Agencies for music in the Middle East. Collecting Agencies quantify how much a song is being played and calculate the total payout to the artist based on the royalty percentage. Take a moment. Let that sink in. So, let’s say an artist makes a song, and that song becomes a hit, and gets played on all kinds of radio stations all over the Middle East, they don’t get paid for it. Not once.

@omarafuni

So, how do we listen to all this music on the radio right now? This is how. Radio stations, like 99.7rkfm, through a special license, have access to a “preapproved” music library from which they can select music to be played for a fixed subscription-type fee. But, here comes the interesting part (I use the term “interesting” loosely here); local musicians like Fabrice, Omar Afuni, Coco or anybody else doing the ‘Pop’ music thing on 99.7rkfm does not get paid. No matter how many times their music is played, no matter how many requests are made by you, our fans. This begs the question; well, why aren’t local musicians on these music libraries? Because, in order for that to happen, they would have to Copyright their work in whatever country/region those music libraries originate, for example the U.S. or Europe, and register themselves as a U.S. or European entity, with a U.S. or European bank account where payment would be made, and then finally transferred to Kuwait. In essence, they would no longer be considered Kuwait musicians, which somewhat defies the whole purpose. So, we’re back where we started.

Well, then how do musicians in Kuwait survive? They survive through funding. Musicians are like service traders; the service they provide is the “experience”. That experience is what they sell. That experience is what is exchangeable for money. You might be asking, why do find ourselves in this predicament, Amin? According to some online sources, it’s because we don’t have advanced intellectual property rights in the region. And all you have to do is take a drive down one of Kuwait’s commercial streets to see the effects of that at play. One of Kuwait’s staple toy store, with branches all over the country is a blatant rip off of Disney intellectual property; 101 Dalmatians. You’ll find the same with restaurants, companies, products – ripping off logos, chopping them up, tweaking the font a little, adding a letter here, removing a letter there, and there you have it, their very own “brand new”, “totally authentic” business.

But, music existed in Kuwait before we came along. What happened with Arabic musicians back in the day? How did they make their money? Back then, they put their music out there for free, hoping that with enough air time, it would translate into sales. So they were really banking on listeners enjoying their music enough to eventually make their way to AlNazaer or Cleopatra Record Shop and buy their album. With issues of piracy on the rise, however, even that has become an obstacle, because more likely than not, when you go out to buy those albums, you’re buying pirated CD’s. Are you starting to see the picture? Artists are cornered. Not being able to collect money off of royalties, nor legitimate album sales at record shops, the only option they’re left with is; getting famous. The strategy then becomes; make your music heard everywhere, for free, so much so that you become famous, and then leverage that fame to charge a lot to play at events. Instead of Collecting Agencies they rely on YouTube views to quantify how many times their songs are being played, and use that information when negotiating with Event Organizers or Producers, basically telling them; “my music got this many views on YouTube, which translates into this many people attending your event, and therefore I will charge this much.”

@carolsoukimusic

In reality, though, we live in a society that doesn’t exactly promote many events or festivals, or provide very many opportunities for musicians to perform. Bottom line; the odds are stacked against us – No royalties, no authentic album sales, and no real events or festivals in which we can showcase our work – and it makes it very difficult for us to succeed. Until a change is made in one, or all of those three major aspects, this is our reality, and we need to find a way to work with it.

I know this has been pretty grim so far, and I wish I could tell you it gets better, and maybe one day it will, but it hasn’t just yet. What I’m trying to get you to understand here is this, when you (‘you’ being event organizers or producers) come up to a musician and ask him/her to do a free show, an unpaid show, what you’re really saying is that you don’t believe in their work. Because by not paying them, you’re not really helping them. So, when you’re presented with an opportunity to pay a musician, and pay them well, I ask that you take a second to think about it differently. Instead of trying to cut your costs, and negotiating to get more for less, think of it as trying to save an endangered bird species, (I just can’t seem to get away from this metaphor). With so much already stacked against us, it is you who has the means to incentivize us to keep going, it is also you who has the opportunity to support and be part of the writing of Kuwait’s music culture. Just think about it, and the next time you try to convince a musician that ‘exposure’ is your preferred currency, remember that in essence what you’re saying is; we don’t believe in music, we’re just trying to exploit music.

Peace, Love and Music

Post by Amin FARI
Are you a musician looking to perform? On the flipside, are you a host looking for musicians to book? Or maybe you’ve just got an awesome idea you’d like to share? Get in touch [email protected] / Instagram: @xxmrfarixx

The new Four Seasons Hotel is expected to open up in Kuwait early next year and one of the most anticipated things about the hotel is their fine dining options. Below is a list of all the restaurants that I’ve been told will be part of the new Four Seasons in Kuwait:

Sintoho – A Pan-Asian restaurant
Dai Forni – An Italian restaurant
Elements – A buffet restaurant
Al Bandar – Poolside lounge/restaurant
Al Sour – Lobby Lounge

I tried to find renderings of the two main restaurants Sintoho and Dai Forni but wasn’t able to. If by any chance someone has copies or finds any, then please share them.

A friend of mine read my post from yesterday and sent me the link below this morning that is basically a list of all the Kuwait traffic laws in English. I went through the list to see if there was anything mentioning car lifts but didn’t find anything about it. But, there are a lot of laws that are too generic and could mean anything and I’m willing to bet because of that, everyone here is breaking at least one law from this list. If you want to view or download the PDF, click [Here]

Thanks Musaed

Usually I tend to find and share photos of Kuwait from the early days like the 50s and 60s but recently I came across a whole bunch of photos of Kuwait taken in 1980. What I find fascinating with these specific photos is that Kuwait usually tends to look really great in the really old photos I share but in these Kuwait just looks really gritty. I think the early 80s were a transitional period between old and new and based on the photos it’s as if all the beautiful old buildings were just starting to fall apart.

Photos taken from the MIT Libraries

Adidas is releasing new NMD’s tomorrow (August 18th) at their Adidas Originals stores worldwide. We don’t have an Adidas Original store in Kuwait so we’re not getting an in-store release. But, we do have an alternative option.

The NMD’s will be getting released on the Adidas Kuwait online store. They currently have countdown clocks on all the pairs that will be available and once the clocks hit zero they’ll be available to purchase. So if you’re hoping to cop a pair before they sell out, head to the Adidas website and search for NMD or just click this [Link]

Update: They went on sale and all got sold out right away.

I don’t know where to begin with this. Back to the Q82 is a Kuwaiti spoof of the Back to the Future movies or at least I’m guessing it’s a spoof. I just watched the trailer and although some parts kinda look like they might be funny, I’m more concerned with the fact they can’t agree on the name of the film.

The poster above calls the film “Back to the Q82”, the trailer title on youtube is “Back to Q82” but in the actual trailer it says “Back on Q82”. Guys, let me decide on your behalf, we’re going to call the film “Back to the Q82”. Also Q82 doesn’t work even though it’s a play on Q80 (Kuwaiti). They’re using 82 instead of 80 because thats the date they travel back in time to but it sounds really weird. Also you spelled trailer wrong on youtube and the car in the poster is different than the car in the movie. Urgh whatever, this is driving me nuts. The movie comes out in theaters on July 7 and I’ll sadly probably go watch it just out of curiosity.

Update: ummm I just realized we are in August, so either the movie already came out last month or they mean July 7.. 2017.

Update2: For some reason the video uploader made the video private. Anybody else have a copy?

Thanks Ahmad and Forzq8

The long awaited indie game ‘No Man’s Sky’ was supposed to come out in Kuwait yesterday but got held up at customs so I only was able to get my hands on it a few moments ago. The official worldwide release date is August 9th so Kuwait wins again with another early release date. If you want a copy, I got mine for KD19 from @q8_complex

Posted by Patrick

[YouTube]

The Sheikh Jaber Al Ahmad Causeway, a key project on the state national development plan, will be among the longest bridge worldwide. It is one track for completion in November 2018. The project, also known as the Subbiyah Causeway, aims to link south and north Kuwait, as well as coping with the increasing traffic jam over the coming three decades.

It consists of two parts: the Main Causeway that will link Kuwait City to the Subbiyah New Town area to the north, stretching 37.5 km, starting from the Ghazali Road intersection and ending at the Subbiyah highway. About 27km of it is a marine bridge structure. The second bridge, Doha Link, will be 12.4 km and will pass through the Kuwait Bay area towards the west, linking the Shuwaikh Port with the Doha motorway.

Up to 59 percent of the Main Causeway has been achieved, and 30 percent in the Doha Link, Assistant Undersecretary for Road Engineering at the Ministry of Public Works Eng. Ahmad Al­Hessan told KUNA. He added that the Doha link aims to end traffic jams in Shuwaikh, and on the Ghazali Road resulting from the trucks using the Port. The Sheikh Jaber Al­Ahmad Causeway also includes two artificial islands, the first to be built on a total area of 300,000 square meters near Kuwait city, and the second near Subbiyah New Town.

They will have government buildings, a marina and green spaces in addition to areas for future investment projects. [Source]

I’ve been watching their progress for awhile now since I can see a large chunk of the project from outside my window and they’ve been moving along pretty quickly. You can even see the bridge in earth view on [Google Maps].

Thanks Ricardas

There is an interesting discussion in the 248AM Community regarding internet latency in Kuwait. Internet latency is how much time it takes for a packet of data to get from one point to another so for example, from your computer to the website you’re trying to access. When browsing the web though, latency isn’t that important, but when playing video games, latency can make a world of a the difference in gameplay. A FASTtelco employee left some information regarding local internet latency in the discussion which I thought would be interesting to share, so I’ve copied and pasted it below with some minor changes:

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In order the get the best latency, first we have to understand the dependencies and the major elements which might effect your latency:

First, the ISP’s are contracted with international providers either by dry routes (land) or through the wet routes (sea). Sometimes it’s a direct IPLC to Europe, and sometime through other destinations. The major difference might result in higher latency, but at the present time, most of the international routes are optimized to provide the best routes, resulting in closer latency ms. So let’s put this factor on the side.

LTE:
Unfortunately, the mobile is a non guaranteed service. It always depends on the load within the closest cell tower and this changes with your geographic location. You will always be getting different ms (ping) depending on how many people are using the same cell tower and the time of day.

Fiber GPON:
This is the most guaranteed service in Kuwait. Usually the latency between the ONT box located in the house to the main point of the ISP is 10-15ms and that’s consider to be the least across all the other internet services. Another factor, we have CAT6 cables connecting between the ONT box and the main router which isn’t the situation in DSL areas (with few exceptions to DSL clients having upgraded their copper cables to CAT6 cabling from the MOC external point to inside the house). The GPON provides stability and FASTtelco does offer the gaming package on the GPON due to the reduction of error factors.

DSL:
The various ISP’s differ in local ms (ping) latency depending on the equipments they use, the different routes and the types of services they have with the MOC. The best way to compare is to test the local ms (between you and your ISP). This will indicate the exact latency which will assist you when conducting the comparison between the different local ISP’s.

When an ISP conducts a test on the clients house, they check the external point, and that’s what’s guaranteed. Meanwhile, the local building cable (copper) is out of the scope. Therefore, a proper cable needs to be in place. Today most of the DSL areas are over 30 years old and so we heavily recommend to replace those old copper cables with CAT6 cables in order to have a much more stable service.

The router also plays a major part with the service and is the last factor that can effect your internet latency.