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Tickets for the Coldplay concerts in Abu Dhabi are sold out but there are a bunch available for sale here in Kuwait by people who bought them and can’t go anymore. If you’re looking for Coldplay tickets, check the ones available for sale in the Classifieds section of the blog.

Last week I found a copy of the second Wizr book on a website in Czech Republic for like 2KD and bought it. It’s my second copy, and although I didn’t have plans for it originally, someone gave me the idea of scanning and digitizing the books so I might end up sacrificing this extra copy by taking it apart and scanning the pages.

I first posted about the Wizr 10 years ago. Wizr was a series of stories written by Keith Wells, a British journalist who was living in Kuwait back in the 70s. Keith used to work for Arab Times, and between 1979 and 1984, released three Wizr books with the help of Peter McMahon, an illustrator. To me the stories feel like funny blog posts inspired by his experiences in Kuwait, from dealing with ministry paperwork, to poking fun at the driving here. I was communicating with Keith this past week, getting some more info for this post, and he’s still a pretty funny guy. He left Kuwait in 1987 and is now retired living with his wife Suzi in Australia.

Keith originally met Peter at a party. Peter hadn’t read any of the Wizr stories so when Keith told him who Wizr was, Peter picked up a sheet of paper, scribbled away for a minute or two, then held it out and asked Keith, “Him?” It was perfect. After that, both became close friends.

Keith would write a story, take it to Peter’s flat every Friday, and he’d illustrate the cartoon. The combination became very popular and after a couple of months in the Arab Times, they were approached by Tony Jashanmal, who owned a department store on Fahed Salem St, and Bashir Khatib, who owned the ‘The Kuwait Bookshops’ to publish a book full of the stories. The first book one was launched at the British Embassy Gardens in November 1979. They sold 428 copies that night, and Keith and Peter left home with a bag full of cash.

The two carried on working together for around a year, then Peter was murdered, a long sad story (which I’m hoping to get more information on soon). The second Wizr book was published with cartoons that weren’t used for the first, and the third book used odd scraps and recycled pics. The books are pretty hard to come by so I was curious to how many copies were printed. According to Keith, in total, they printed 10,000 copies of the first two books, and around 5,000 of the third. There were only around 4,000 or so native English speakers in Kuwait back then, but according to Keith most people bought multiple copies of the books and sent them to relatives and friends abroad.

Keith still has around 50 copies of the books left, as well as Peter’s original cartoons, and several of his oil paintings. He’s digging through his stuff to see what else he might still have. We’re both trying to figure out what to do with all of it, maybe ship everything to Kuwait and hold an exhibition. I suggested maybe putting him in touch with the British Embassy and maybe have them bring him over and have some sort of event again in the British Embassy Gardens, like a 45 year anniversary thing. If you have ideas, let me know!

The books aren’t easy to come by, but they do pop up online every now and then. I scanned a few pages and illustrations from the book and uploaded them to Flickr. I’ve included the unedited scans, as well as scans I’ve edited where I’ve combined the stories and illustrations to fit on one page. You can check them out here.

It’s been two years since I launched my Instagram account, and what a year this one has been. Since we are at the end of the year I wanted to do a year in review kinda post so that I have a record of it somewhere.

It was a pretty stressful year trying to find content that would be suitable and engaging enough for Instagram. If a post won’t generate more than 1,500 likes, then I wouldn’t consider publishing it. It’s a difficult ask, and a lot of pressure, especially since I only have around 55K followers, but it’s one of these policies I created for myself so I could keep the quality of my posts high. Plus, I work better when pressured so this helps.

There are exceptions of course, sometimes I like to post things I care for, like I posted about British Film week recently, and another post about a local creative winning an award for a book design. Both posts I wasn’t expecting much engagement on, but I didn’t care really. Other times I post stuff not expecting much engagement, like my Primark post, but then it turns out to be my 2nd most reached and engaged post, and the most shared of the year. I haven’t figured out yet what post will blow up or not, don’t think I ever will. The biggest surprise was probably my post on the new IKEA store in Shuwaikh. I published it and went to walk my dog. I didn’t even check my account again for over an hour because I didn’t want to feel the disappointment of publishing an un-engaging post. To my surprise the post had blown up and it’s now my 3rd most reached and engaged post of the year, I think it has over 6,000 likes. No idea why, but I think the whole comparison to a movie set must have caught people’s attention.

One thing I’ve been trying to tackle is copycats. I used to have that issue back when there were so many bloggers, I’d post about something and then they’d post the same thing. With Instagram I’ve had to deal with people using my photos without permission, or copying content ideas or formats and always without crediting the source. It’s very frustrating obviously because it’s not easy coming up with new ideas or topics, and then people just copy it. But people aren’t just copying me, there is so much copying of each other it’s ridiculous. Someone flies a drone over a new project, posts about it, within hours you have a dozen other vloggers flying their drones to capture the exact same thing and post about it. Someone posts about some hole in the wall fatayer place, suddenly everyone is discovering hole in the wall fatayer places. Mostly, I just find other peoples content so uninteresting and so hard to watch. Why do most vloggers sound like car salesman on a TV commercial?

Financially, this year been really good to me, like a life saver since I got married and had a ton of things to spend on. I generated 0% of my blog income through the website, 100% through my Instagram account. That’s just crazy.

I compared the performance of this year to the past 10 years and 2024 was the highest performing. It’s not higher than 2012/2013 which was the blogs financial peek, but I’m getting pretty close.

Initially I was worried about labeling my ads as ads since I wasn’t sure advertisers would want that, but thankfully, they’ve all been fine with it. I think I only had one or two brands that refused to advertise with me unless I hid the fact it was an ad. Since I’m not in this for the money I obviously didn’t care. I’m also not accepting ads from brands that are being boycotted.

I’ve limited myself to 3 promoted posts a week which is a lot considering I post on average like 5 or 6 posts a week. But it’s good money and I don’t want to turn it away. So instead, I’m just more active trying to find more content to post. It’s a win win for everyone, readers get more content, I get financially rewarded.

Back to the subject of labeling ads as ads, I think my readers appreciate it which is why they’re actually more willing to engage with my promoted content. I still don’t understand how I’m one of the very few people who labels ads as ads. If it’s an ad just tell your followers its an ad, it’s not a big deal.

Now the plan for next year is to try and just keep things the same.

I don’t need more ads, at the current rate I’m more than good. I also don’t need more followers.

I think 55K is basically all my target audience in Kuwait. Anymore and I think I’ll be getting followers who shouldn’t be following me. I’ve had to block so many people this year, I just checked and as of this post I’ve restricted 371 people and blocked 584. I have zero chill. You get two strikes, first strike I restrict you, second strike I block you. The ability to restrict and block people are my favorite Instagram features.

Anyway, until next year.

The ice skating rink used to be one of my favorite landmarks in Kuwait. As a kid in the 80s, I took ice skating lessons there, and by the early 90s, it became a popular hangout spot for me as a teenager. We’d listen to great music (there was a DJ), play arcade games, grab dinner, and, of course, skate. I always loved the building’s design—it was truly iconic. When I created the Kuwait Blogs app back in 2010, I chose the ice skating rink as the image to represent Kuwait. It felt less cliché than the Kuwait Towers, and its unique shape made for a perfect app icon.

The rink was designed by French architect Dominique Beau, whose firm won the contract in November 1977. It officially opened in March 1980, making it the first ice skating complex of its kind in the Middle East. Beau thoughtfully incorporated local culture into the design—the iconic structure was inspired by Bedouin tents, while the terracotta tiles on the interior and exterior walls were influenced by traditional Sadu weavings.

Sadly, the rink was demolished in 2020 to make way for a new ice skating rink as part of the Al Shaheed Park Phase III project. When I got a sneak peek of the new rink last year, I noticed a tribute area dedicated to the old one. It’s a mini museum showcasing parts from the original rink, including terracotta tile wall patterns, ceiling beams, original seats, and other artifacts. Interestingly, the minaret of the Phase III mosque was built using beams from the old rink. Still, I wish they had preserved the original rink instead of replacing it.

I’m usually pretty good at digging things up, but I’ve never managed to find photos of the rink during its construction. Thankfully, Laila Al Hamed from @zericrafts and Huda Abdulmughni from @studio.khemiae spent over a year working to get their hands on some very rare photos. These came from the French architect, Dominique, and an engineer who worked with the Al Kharafi Group during its construction. I’ve shared some of the photos before but I’ve now uploaded them to my Flickr account in their original size and unedited. You can check them here.

Contrary to what some new media outlets are reporting, Wicked wasn’t technically banned in Kuwait. According to a contact at Cinescape, the censors requested cuts to certain dance scenes, unrelated to any LGBTQ+ characters. The studio refused these edits, which is why the film isn’t being shown in local theaters.

So similarly to when Barbie was released, if you’re in Kuwait and want to watch Wicked, you’re going to have to drive to Saudi to do that. Here are the three closest cinemas currently showing the movie:

Vox Cinemas
Location: Al-Jubail, Saudi Arabia Google Maps
Distance: 2 Hours and 13 Minutes from borders

Muvi Cinemas
Location: Al-Jubail, Saudi Arabia Google Maps
Distance: 2 Hours and 24 Minutes from borders

AMC Cinemas
Location: Al Khobar, Saudi Arabia Google Maps
Distance: 3 Hours and 24 Minutes from borders

Alternatively, you can also just wait a bit until the film becomes available to rent and stream online, although that might not be as fun as a roadtrip. If you’ve never driven to Saudi before, it’s super easy and the roads are in great shape. You also don’t have to worry about visa since any resident of Kuwait can get one.

A few weeks ago I spotted a post by Gulf Bank on LinkedIn celebrating their 64 year anniversary. They had shared a few old photos but they were low-res and not really that great, so I decided I’d try and find some better ones, and I did.

According to Gulf Bank’s ‘About Us‘ page, the bank was founded in 1960. The page also mentions that in 1961, they hired architect Jean-Robert Delb to design their head office. While the building he designed is still their head office today, they only moved into it in September 1976, according to an old newspaper ad. Before that, they operated from a different head office.

Their original head office was designed in 1963 by Tony Irving and Gordon Jones of the Design Construction Group (DCG). The building was two floors and was composed of three separate buildings wrapped into one. The municipality for some reason had insisted that the owners of the units adjoining the bank adopt the identical architectural treatment, which is how we ended up with that iconic looking block.

Sadly, the original Gulf Bank head office building was recently demolished. It was the same building that had housed Richard’s Coffee and NIU, right across the street from Souk Mubarakia.

The photos above are from a 1972 issue of Aramco World and were taken by Burnett H. Moody. The black and white photo below was taken by Andy Warhol when he visited Kuwait.

The advert below was taken from Kuwait Times, September 1976 issue.

When the M1 iMac came out back in 2021, I bought one with 16GB of RAM and a 1TB hard drive. It was fast, especially after moving up from an old Intel-Mac iMac. More than 3 years later the iMac was still great, I never felt it was slow and really didn’t have any issues with it except for two things:

• The color no longer suited my apartment. I went through a major redesign last year and the green iMac wasn’t working in my space.

• The second issue I had was with the hard drive, 1TB wasn’t enough anymore and I kept running out of space. I couldn’t solve it with an external drive since majority of the space was taken up with my Photos library. I thought about moving it to an external drive but I read I would end up with issues which I didn’t want to risk or deal with.

I was also honestly looking for an excuse to pick up the Mac Studio, I loved the way it looked and just wanted to have one. I kept building a Mac Studio hoping I’d eventually pull the trigger but I kept hesitating and eventually knew I was too late to buy one since it was due for an M3 or M4 upgrade. I stayed patient and then the M4 Mac mini was announced.

It looked like the Mac Studio, but was a lot more smaller and much more cheaper. So I pulled the trigger and bought one.

Initially I wanted to get the Mac mini with the M4 Pro chip, but after realizing how much upgrading to 2TB was going to cost me, I decided not to go with the Pro. I never had a speed issue with my M1, and from what I read about the M4 Pro, I wouldn’t really benefit much from it anyway so to save some money I decided to stick to the “regular” M4. I ended up upgrading the RAM from 16GB to 24GB, and the hard drive to 2TB. The hard drive upgrade cost me $800! That’s more than the cost of the Mac mini by quite a bit. It’s crazy, but I guess that’s how Apple manages to set the entry price of the Mac mini so low, they make up for it with the upgrades. $200 to go from 16GB to 24GB RAM, and $800 to go from a 256GB hard drive to a 2TB one. $1,000 worth of upgrades on a $600 computer!

But, overall it was still a lot cheaper than the Mac Studio I had been building on the Apple website for months now which is why I still pulled the trigger.

I ended up buying the Apple Display from Xcite since they were selling it for KD499, similar price to apple.com not including tax or shipping. Once you include tax and shipping the price shoots up much higher than Xcite. You can find the display cheaper on Amazon but even then, once you add tax and shipping the price ends up being similar to Xcite.

Now that I have everything installed and running I really love my new setup. The Mac mini is really small and doesn’t take up much space on my desk. The Apple display is big and beautiful as well, it’s not much bigger than the iMac screen (24″ vs 27″), but it does give me much more room to have two windows open side by side comfortably. It also expands my USB-C ports by an additional 4 ports, and has a Mic built in which is great since the Mac mini doesn’t have a mic.

Having 2TB is probably the biggest relief since I don’t have anxiety about running out of space and this should last a pretty long time with me since I don’t really store any large video files or anything of the sort on my iMac, just my photos which are around 600GB, and work and blog related files which are less than 300GB.

The only negative I have with the Mac mini is that the headphone jack is on the front which means if I want to physically connect them to my speakers I need to have a wire running out the front. I have KEF LSX speakers next to my display and with my previous iMac I ran them over Bluetooth. But it isn’t very reliable as in every few days the speakers lose sync with the video on my Mac and I need to disconnect and reconnect to get them to sync again. With the Mac mini I was hoping to connect them with an optical out or audio out but from the back. I have a USB-C to headphone jack adapter but decided to get a USB-C to optical out and ordered one from Amazon. But I now have another issue, the adapter I got doesn’t support volume control from the Mac so that’s around 15KD wasted and I either need to find another optical out that supports volume control, or just give in and use my USB-C to headphone jack and connect the speakers that way.

But other than that I don’t have any complaints, and no regrets with my purchase either!

This is a collaboration we didn’t know we needed. CAF and KDD have come together to bring a new drink called the Chocolate Latte. The drink combines everyone’s favorite KDD Chocolate Milk with CAF’s signature coffee and is available as hot or iced.

This isn’t the first time CAF has collaborated with KDD. Their first partnership in 2016 featured the KDD Ice Cream Sandwich, and to date, over 2 million of them have been used.

The new Chocolate Latte is available today in all 21 CAF branches. @cafcafe

Gamzland is a new indoor amusement park that is opening at HOMZ Mall in Dhajeej next month. This is going to be the largest indoor amusement park in Kuwait and will have entertainment experiences for families and adventure lovers of all ages.

The official opening is on December 15, 2024 and will include special giveaways. So mark your calendars from now if you don’t want to miss this celebration.

If you want to stay posted on the opening event, follow @gamzlandkw

The AIU Kuwait Film Festival 2024 kicks off next week for its third consecutive year. This year, the festival received an impressive 3,155 film submissions from talented filmmakers around the world. After a rigorous selection process, 106 outstanding films were chosen, promising an inspiring lineup of stories spanning diverse genres and regions.

There are various activities to enjoy during the film festival, including screenings, lectures, workshops, and discussion panels, all free to attend. Whether you’re there to watch films or you’re an aspiring filmmaker hoping to catch a workshop or lecture, this is an event you won’t want to miss.

The film festival will be held at the AIU campus from Sunday, November 10, to Saturday, November 16. Cinescape is their strategic partner again this year, and as a result, film screenings, and discussions with film personalities will take place both on the AIU campus and at the Cinescape theaters in 360 Mall.

All events during the film festival are open to the public, and are free to attend.

If you want to find out more about the festival, head over to aiu.edu.kw/film-festival or check out the AIU Instagram account, @aiu_kw

Al-Rai Media Group is entering the entertainment industry by launching a mega musical project, ‘The Spirit of Kuwait,’ in partnership with Kaif Production.

‘The Spirit of Kuwait’ will be a Kuwaiti heritage-based musical work presented in orchestral form with a modern twist. It will also be the largest artistic orchestra in Kuwait, comprising nearly 100 musicians and featuring some of the country’s top musical talent. The orchestra will be led by maestro Dr. Ahmad Al-Oud, with Salman Al-Amari and Abdulaziz Al-Mesbah as the primary vocalists. Maestro Mohammed Salem Al-Qahoom, one of the Arab world’s most prominent composers and orchestrators, will orchestrate the musical pieces.

Alongside this all-star roster, the show will also utilize the latest in concert technologies. It is expected to last an hour and a half and will feature state-of-the-art audio-visual systems to immerse the audience in a captivating experience, blending traditional Kuwaiti heritage with modern artistic innovation.

The first performance of ‘The Spirit of Kuwait’ is expected to be in May 2025. To stay posted on this project, you can follow @alraimediagroup and @kaif_kuw.

For more information, read the articles below.
Article 1
Article 2

One of my favorite things about my blog is putting random information out onto the web, only to have someone months or years later leave a comment saying they were involved in the project or have more information about it. It constantly happens and it’s always pretty rewarding.

Back in March 2023 I posted about the Mothercare tree, the huge animatronic tree that used to be located at the Mothercare store in Salmiya. I didn’t think a lot of people remembered it, so I was pretty surprised with the amount of engagement that post got.

19 months after my post, a person by the name of Roger left a comment saying he had worked on the project and had more photos. Roger came to Kuwait in 1998 to install the tree along with his team. His company supplied and programmed the tree and all the animated animals and their soundtracks. He had photos of the tree being built as well as ones from inside the tree. Roger had gotten the job because he had previously been involved animatronics when he worked for Madame Tussauds and Rock Circus.

The pictures were taken with his first digital camera and so aren’t that high resolution, but it’s definitely better than nothing. I’ve uploaded all the photos to Flickr and you can check them out here.

Thanks Roger for sharing!

I thought I posted about @q8knight79 before on the blog but I just checked and don’t think I have. He’s a guy I follow on my cars account and he’s got a super 80s vibe.

Last year he flew to the US, bought a 96 Corvette, then did an epic road trip with the car before shipping it to Kuwait. He uploaded the video a couple of weeks ago to YouTube and I thought it was pretty entertaining.

I kinda need to do the same thing now, fly to the US, buy a first generation Viper, do an epic road trip, crash it, and then fly back.

The Big Bounce Arabia, the Middle East version of The Big Bounce America, is bringing the world’s largest touring inflatable theme park to Kuwait. Starting November 21st at The Green Island, the park will stay there for 17 days before moving to another location within Kuwait (possibly Khiran). After Kuwait, the park will kick off a regional tour that will span 10 countries.

The park will feature the world’s biggest bounce house, obstacle courses, interactive zones, and themed areas like the Sport Slam and Airspace as well as a thrilling 275-meter-long obstacle course.

View this post on Instagram

A post shared by The Big Bounce America (@thebigbounceamerica)

The Big Bounce is for anyone aged two and above, making it perfect for the whole family or a group of friends. Tickets go on sale November 1st on the official website, thebigbouncearabia.com, with three ticket options available:

Juniors (under 100cm height) KD8
Guardians (can accompany juniors) KD5
Standard (100cm height and above) KD13

The price is for a session which lasts 2.5 hours. There will be 3 sessions a day during the middle of the week, and 4 sessions a day on weekends. Oh and The Big Bounce can hold up to 1,300 people which is insane.

To stay updated, follow @BigBounceArabia or head over to thebigbouncearabia.com

Muneera is an independent cultural researcher and documentary photographer who for the past 4 years has been going around Kuwait documenting post-oil houses. Her account is filled with beautiful but decaying homes, that even in their current state still look better than a lot of the newer generic buildings that have been popping up over the past few decades.

When Muneera first started documenting these houses she didn’t have any preconceived ideas of them. Their odd structure compared to buildings around them stood out to her, and their futuristic design contrasted with their deteriorating condition raised a lot of questions about the past and present:

• What happened back then?
• Why do we decide to build our homes the way we do?
• What contributes to shaping our homes, neighborhoods, streets, and cities?
• What impact does that have on our environment and lived experience in those spaces?

She’s documenting and researching these houses as a way to answer some of these questions, and understand the value of these buildings while considering the wider issues related to land use in Kuwait.

I’m always fascinated with Kuwait’s past and its stories, so I really appreciate Muneera’s effort in capturing these beautiful homes before they disappear forever.

Muneera was also initially documenting baqalas so she could look into their disappearance and the culture around it. She had to stop though since it was taking too much time and decided to focus on the house for now. I actually didn’t really notice baqalas disappearing until she brought it up. My two favorite baqalas in my neighborhood closed down years ago, one turned into a bubble tea shop, the other into a Filipino bakery. They really might be disappearing.

Check out Muneera’s account @th9neighborhood for more photos—she’s captured many beautiful buildings.